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Around the U.S.
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Casting An Eerie Light On Music Amid Bones, Dust, And Sarcophagi
Orchestra As Lead Voice Rings True In Crowning A Concert ‘Ring’…
Percussion Ace Shows Gifts As Composer With Glittering Cello Concerto
Canada
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
Flourish Of Beethoven’s Last Piano Sonata Gives Pulse To Summer Music
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Recapturing The Magic In Three Eclectic Ballets By A Neglected Master
It’s A Suite Of Brilliance As Conductor, Orchestra Co-star On Dazzling…
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
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35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Keith Powers
Keith Powers
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http://www.keithpowers.net/
Keith Powers covers music and the arts for
Leonore Overture
,
Classical Voice North America, Chamber Music America,
and
Opera News
. Follow @PowersKeith; email to keithmichaelpowers@gmail.com.
Twitter
At Tanglewood Festival, New Music’s Diversity Spoke In Many Accents
Keith Powers
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July 30, 2024
Plucky Chamber Festival Stays The Course Even If The Chamber Is...
Keith Powers
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June 26, 2024
Sound Of Nordic Music Echoes Through Festival Touching Diverse Styles
Keith Powers
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March 13, 2024
Myth Remade As Opera: Eurydice Rules The Tale, Leaves Orpheus For...
Keith Powers
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March 4, 2024
Shock Of Shostakovich Is Tempered In Concert Sans Lurid Stage Action
Keith Powers
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January 29, 2024
Shostakovich Concertos Forge Fierce Connection Between Eras Of Terror
Keith Powers
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October 17, 2023
‘Butterfly’ Undergoes Sensitivity Correction, But It’s Still ‘Butterfly’
Keith Powers
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September 20, 2023
Tapping Into Music As Unconscious Chronicle Of Post-Holocaust Era
Keith Powers
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September 15, 2023
In Their Diverse Styles, 4 Women Composers Affirm Music’s Vitality
Keith Powers
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August 2, 2023
All In For Modernism, Dauntless Orchestra Celebrates 25 Years
Keith Powers
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February 17, 2022
Rising Maestro Leaves That ‘Woman’ Thing In Stardust Of Her Ascent
Keith Powers
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January 28, 2022
At Desert Crossroads, Stage And Film Collide In An Opera Miniseries
Keith Powers
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August 4, 2021
Adès’ Creative Choices Spell Success Despite Trim At New Music Fest
Keith Powers
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July 29, 2021
Prison Life As Opera: Hard-Edged Portraits, Music Of 5 Composers
Keith Powers
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May 29, 2021
Taiwanese Hands Join In Evocative ‘Formosan Triptych’
Keith Powers
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January 18, 2020
Boston Symphony Honors Old World And Young Talent
Keith Powers
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November 25, 2019
Adès And Friends: Thorny Mod Squad At Tanglewood
Keith Powers
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August 20, 2019
New Tanglewood Center Provides Music Immersion
Keith Powers
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August 5, 2019
Extravaganza! Baroque Opera As A Vocal Spectacle
Keith Powers
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June 12, 2019
Tale Of A Country Where Everyone Is Evil Or Doomed
Keith Powers
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May 12, 2019
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