Facebook
Instagram
Twitter
About
Join
Contact
Donate
Around the U.S.
Canada
World
Digital
Perspectives
Our Critics’ Picks
Search
About
Join
Contact
Donate
Music Critics Create Annual Opera Award
Sign in
Welcome! Log into your account
your username
your password
Forgot your password? Get help
Password recovery
Recover your password
your email
A password will be e-mailed to you.
Classical Voice North America
About
Join
Contact
Donate
Around the U.S.
Royal Concertgebouw, Mäkelä Parade Colors To Kick Off U.S. Tour
Noon To Midnight Bash: Mix Of Musical Genres With A Beer…
Letters Sung Of Love Found, Lost By Juliets And All Their…
One Singer’s Memorable Turn As Another Whose Memory Is Fading Away
Majesty, Poetry Signal Davidsen’s Arrival As Claimant To La Tosca
Canada
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
World
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Digital
Bryce Dessner’s ‘Solos’ Recording Is A Paradox: It’s About Connections
Ambitious Album Casts Light On The Composer Inside Conductor MTT
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Perspectives
Embracing, Unvarnished Jolie-As-Callas Biopic Hits A High B-Plus
Grand Dame Von Stade Makes New Recording, And Declares It Her…
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
Home
Authors
Posts by Rebecca Schmid
Rebecca Schmid
96 POSTS
0 COMMENTS
Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Rebecca Schmid
-
November 27, 2024
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech...
Rebecca Schmid
-
September 18, 2024
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Rebecca Schmid
-
September 11, 2024
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Rebecca Schmid
-
August 22, 2024
At The Salzburg Fest, Inspired Concerts And Two Tormented Operas
Rebecca Schmid
-
August 23, 2023
On Roads Of Friendship, Muti Encourages Youths Toward Global Harmony
Rebecca Schmid
-
July 16, 2023
Comical ‘Merry Wives’ Is The Fantastic Affair Otto Nicolai Imagined
Rebecca Schmid
-
May 16, 2023
Honoring Callas At 100, Greek Opera Restages Her Signature ‘Medea’
Rebecca Schmid
-
May 1, 2023
Monteverdi’s Wandering ‘Ulisse’ Returns Home To An Updated Scene
Rebecca Schmid
-
April 6, 2023
‘Le Nozze’ Annulled: Mozart’s Perfect Opera Gets A Rough Makeover
Rebecca Schmid
-
March 21, 2023
Updated To Instagram, Handel’s ‘Belshazzar’ With Its Tension Intact
Rebecca Schmid
-
March 3, 2023
Ligeti’s Creative Journey And Influence Retraced In Centennial Concert
Rebecca Schmid
-
January 23, 2023
Staatsoper, Volksoper, And The Reframing Of Vienna’s Opera Legacy
Rebecca Schmid
-
December 15, 2022
A Celebrated Festival Embraces Diversity. And A Star Pianist Demurs
Rebecca Schmid
-
August 22, 2022
Muti’s Friendship Series Capped With Concert In Tribute To Ukrainians
Rebecca Schmid
-
July 25, 2022
Opera Is Awaiting A Green Light On The Blue Danube
Rebecca Schmid
-
April 29, 2020
‘Fidelio’ Streaming This Week From Vienna Source
Rebecca Schmid
-
April 6, 2020
Woolf At The Door Of An Overstuffed House In ‘Orlando’
Rebecca Schmid
-
December 15, 2019
Semi-seria ‘Cellini,’ Semi-staged, Full Of Vitality, Color
Rebecca Schmid
-
September 4, 2019
Salzburg Festival Makes A Case For Enescu’s ‘Oedipe’
Rebecca Schmid
-
August 17, 2019
1
2
3
...
5
Page 1 of 5
Classical Voice North America