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In Leadership Turmoil, Oregon Bach Festival Showcases Its Vitality
‘Beethoven Effect,’ Still Felt Across Generations, Sparks A Chamber Fest
As Vocalists Sink Teeth, Words And Genres Get Pushed, Pulled, Chewed
Bach Festival, Newly Adventurous, Turns Its Spotlight On Monteverdi
Plucky Chamber Festival Stays The Course Even If The Chamber Is…
Canada
A Veiled Treasure: Redesigned Church As Intimate Concert Hall
Making Surprise Debut As Murderous Medea, Naturally She Killed It
Scaling Strauss Twice, And Matching Peaks In The ‘Alpine Symphony’
Beach’s Grand Mass Dusted Off, Cut Down, Its Fresh Vision Intact
All Hands On Deck: Orchestra Shares Stage With ‘Rheingold’ Singers
World
On Small Stage, British ‘Ring’ Cycle Scores Big On Imagination, Quality
Puccini Opera Marathon, Romanian Style, Honors Centennial Of His Death
‘Thrill Of A Lifetime’: Critic As Chorister Sings Bach At…
In Grotesque ‘Salome,’ Lise Davidsen Leaves Marker For The Ages
Maestro Takes A Stand With Frenetic Bruckner (Musicians Stand, Too)
Digital
New Video Of ‘Rusalka’ Is Appealing Evidence Of Its Rising Popularity
Applying Modern Prism, CD Shifts Perspectives On Women Composers
Rare Tchaikovsky Opera Displays Charms Before Killing The Characters
Motets From History’s Shadows Are Diamonds In Rough Performance
Out Of A Covid Project, Mozart Piano Sonatas Eloquent And Complete
Perspectives
20th-Century American Operas Receding From View On Nation’s Stages
On A Break From Audio, Fabulous Live Sound Of Opera And…
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Sampling Art Of Song, Will Liverman Leaves Final Lyric To His…
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American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Rebecca Schmid
Rebecca Schmid
92 POSTS
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Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
At The Salzburg Fest, Inspired Concerts And Two Tormented Operas
Rebecca Schmid
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August 23, 2023
On Roads Of Friendship, Muti Encourages Youths Toward Global Harmony
Rebecca Schmid
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July 16, 2023
Comical ‘Merry Wives’ Is The Fantastic Affair Otto Nicolai Imagined
Rebecca Schmid
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May 16, 2023
Honoring Callas At 100, Greek Opera Restages Her Signature ‘Medea’
Rebecca Schmid
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May 1, 2023
Monteverdi’s Wandering ‘Ulisse’ Returns Home To An Updated Scene
Rebecca Schmid
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April 6, 2023
‘Le Nozze’ Annulled: Mozart’s Perfect Opera Gets A Rough Makeover
Rebecca Schmid
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March 21, 2023
Updated To Instagram, Handel’s ‘Belshazzar’ With Its Tension Intact
Rebecca Schmid
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March 3, 2023
Ligeti’s Creative Journey And Influence Retraced In Centennial Concert
Rebecca Schmid
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January 23, 2023
Staatsoper, Volksoper, And The Reframing Of Vienna’s Opera Legacy
Rebecca Schmid
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December 15, 2022
A Celebrated Festival Embraces Diversity. And A Star Pianist Demurs
Rebecca Schmid
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August 22, 2022
Muti’s Friendship Series Capped With Concert In Tribute To Ukrainians
Rebecca Schmid
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July 25, 2022
Opera Is Awaiting A Green Light On The Blue Danube
Rebecca Schmid
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April 29, 2020
‘Fidelio’ Streaming This Week From Vienna Source
Rebecca Schmid
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April 6, 2020
Woolf At The Door Of An Overstuffed House In ‘Orlando’
Rebecca Schmid
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December 15, 2019
Semi-seria ‘Cellini,’ Semi-staged, Full Of Vitality, Color
Rebecca Schmid
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September 4, 2019
Salzburg Festival Makes A Case For Enescu’s ‘Oedipe’
Rebecca Schmid
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August 17, 2019
China Competition Makes Debut With Philadelphians
Rebecca Schmid
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May 27, 2019
Vienna Phil Opens Bruckner Tour At Berlin Cathedral
Rebecca Schmid
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May 10, 2019
Glanert’s ‘Oceane’: A Water Nymph Out Of Her Depth
Rebecca Schmid
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May 3, 2019
Separate Stages, Two Results For Myths As Opera
Rebecca Schmid
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April 4, 2019
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