Budapest Mahler Third, Sprawling And Specific, Is A Carnegie Highlight
Wish For Social Justice In Troubled Times Gets A Spirited Concert Amen
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Frankfurt Opera Trek: Baroque To ‘Carmen’ To A Holocaust Flashback
‘Oklahoma!’ — No, Wait, It’s ‘Manon!’ Done With Exclamatory Concision
No Time For Rehearsal, Pianist Tosses Off Grieg Concerto In Grand Style
When Hahn Bows Out, Kyrgyzstan Violinist Polishes Up Prokofiev
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CVNA MARKS 12TH ANNIVERSARY!
Classical Voice North America has won praise for the quality of its informative reviews, articles, commentary, and occasional podcasts at a time when many newspapers have cut back or eliminated coverage. We explore the richness of the classical music scene: opera productions, leading and regional orchestras, new works and upcoming artists, plus calendar listings. But access is free, so we need your support!
IN THE NEWS: MCANA MEMBERS' PICKS
- The grave risk of Trump’s Kennedy Center shutdown - by Philip Kennicott at Washington Post
- Vancouver Symphony offers sophisticated delights with launch of Modum - by David Gordon Duke at Vancouver Sun
- Philip Glass pulls world premiere from Kennedy Center - by Michael Andor Brodeur at Washington Post
- 2026: Gabriela Lena Frank, Composer of the Year - at 2026 Musical America Awards
- The Cliburn, Known for Piano Competitions, Will Hold One for Conductors - by Derrick Bryson Taylor at NY Times
- Yo-Yo Ma plays for the whales - at The Late Show with Stephen Colbert
- A new ‘Petrushka’ is bringing shape-shifting human puppets to Philadelphia - by David Patrick Stearns at Philadelphia Inquirer
- New Man for the Paris Opera - by Ronald Blum via Musical America
- Guerrero, Grant Park Music Festival to explore the meaning of “American music” in nation’s 250th anniversary - by Lawrence A. Johnson at Chicago Classical Review
- Met Opera season broadcast dates - at MetOpera.org
- 120 years of Deutsche Grammophon, Anniversary Edition – at Diabolus in MusicaIn Defense of the Traditional Review – by Richard Brody at The New Yorker
- Boulanger: The celebrated teacher’s early opera is brought back to life - by Andrew Clements at The Guardian
- Emanuel Ax, Artist of the Year - at Musical America
- Jakub Hruša, Conductor of the Year – at Musical America
- Gabriela Lena Frank, Composer of the Year - at Musical America
- Arvo Pärt 'And I Heard a Voice' - Lebrecht Weekly Album of the Year - at MyScena
- Who wrote 'Porgy and Bess'? – by Joe Horowitz at Unanswered Question
- NY Times Advertises for Classical Music Critic - by Norman Lebrecht at SlippeDisc
- From Slurpees to Shostakovich, an abandoned 7-Eleven becomes a home for classical music - by Graham Meyer for WBEZ
- 5 Questions to Composer Corie Rose Soumah - by Sonna Lee Davidson at I Care if You Listen
- Steve Reich picks his top discs - by Steve Reich at Nonesuch
- Santa Fe's New 'Figaro': Perfect Timing - by Thomas May at Musical America
- Ryan Speedo Green triumphs in first outing as Wagner’s god in 'Die Walküre' - by Mike Silverman at Associated Press
- Santa Fe Opera 2025 Season Review: The Fresh in the Familiar - by Heidi Waleson at Wall Street Journal
- To thrive in 2025, Opera Baltimore is willing to try it all — even AI – by Wesley Case at Baltimore Banner
- Innovative, immersive theatre bringing classical music to younger audiences – by Samiar Nefzi at WPLG
Around the US
Adams Piano Concerto: Emblem Of Americana Amid All-American Fare
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Welcome to Classical Voice North America, the online magazine of the Music Critics Association of North America. Since 2013, CVNA has been a vibrant outlet for music criticism, providing expert coverage by members and occasional guest contributors. If you are a writer with experience in classical music, please consider joining MCANA. Together, we will keep music criticism alive and well.
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