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Racial Injustice Echoes In Music Before Solace Of Mozart’s Requiem
Amid An Opera’s Dark Waters, Musicians And A Critic Swim For…
Quasi-Robotics Concert, Where AI Perhaps Stood For Almost Involved
Music Director To Be, Mäkelä Turns Chicago Into A Rocking Scene
Chemistry Feels A Little Late (At Curtain Call) In Met Return…
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Prize In Hand, Recital On Hold, Singer Makes In-Person Debut At…
2 Canadian Orchestras Combine In Symphony Honoring WWII French
Sets, Cast, And Chorus Were Great. Music And Libretto, Not So…
Women At Center Stage In Flurry Of Concerts By Ensembles Large,…
Fluid Time, Cosmic Love Meet In Rare Encounter With Epic …
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Focus On Bright Stars, Ambitious Arts Festival Creates A Constellation
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Trip To Greek Homeland Mingles Nostalgia With A Fierce ‘Lady Macbeth’
Aussies Around Globe Gather As All-Stars For An Ardent Mahler Ninth
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Even Lacking Visuals, Handel’s Vivid Music Illustrates ‘Alcina’ CD
Freshening Up Josquin With A Scholarly Flair, Down-To-Earth Clarity
Through Diverse Voices Over Millennia, Cantata Invokes Spirit Of Mercy
Schubert Song Cycles, Recycled In Lyric Glory Of Marginalized Mezzo
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Perspectives
Sampling Art Of Song, Will Liverman Leaves Final Lyric To His…
The Ormandy Mystique Captured In A Box, But Then Again, Not…
International Harmony Via Cultural Exchange: It’s Major In Minor Steps
Seiji Ozawa, Exceptional And Inspiring, Left His Stamp On Music World
‘X’ At Last Marks Spot For Anthony Davis In World Of…
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Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Authors
Posts by James Bash
James Bash
30 POSTS
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James Bash is a freelance writer based in Portland, Ore. He reviews Portland Opera productions for Opera Magazine and writes for a number of publications, including his blog,
Northwest Reverb
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Racial Injustice Echoes In Music Before Solace Of Mozart’s Requiem
James Bash
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April 9, 2024
In Concert That Touted Courage, Even Stand-In Maestro Showed Pluck
James Bash
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February 1, 2024
Curtis Institute @ 100: Spinning The Pandemic Into A High-Tech Leap
James Bash
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October 27, 2023
Eyeful Of Grand Vistas, Earful Of Great Music: Critics Hit Bravo!...
James Bash
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July 20, 2023
When AC Fails, Concert Spotlighting Steel Pan Only Turns Up The...
James Bash
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May 2, 2023
Like A Chef In Kitchen, Maestro Loves Mixing His Baroque Ingredients
James Bash
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March 24, 2023
A New Violin Concerto As Cosmic Dialogue, Search For Perspective
James Bash
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January 30, 2023
Tines’ American Songs Lift Theme Of ‘Truths’ At 60th Britt Music Fest
James Bash
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June 29, 2022
Haitian Musical Legacy Resounds In Vivid Hues Of Orchestrated Songs
James Bash
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June 9, 2022
Wynton Marsalis Pens Concerto That Swings, Boogaloos — For Tuba!
James Bash
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May 5, 2022
A Vivid Opera Recreates Hounding, Exoneration Of The Central Park Five
James Bash
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March 24, 2022
On Portland’s Vibrant Music Scene, New Is Nourished Everywhere
James Bash
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January 20, 2022
New Maestro Steps Up, With A Little Boost From Hall’s Reinforced...
James Bash
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October 7, 2021
He’s Singer, Composer, A Musician Of Parts. (He Has A Baton,...
James Bash
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April 12, 2021
Sibelius’ ‘Tempest’ Casts Its Spell In Dramatic Setting
James Bash
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November 27, 2019
In Currie’s Hands, New Concerto Has Precision, Panache
James Bash
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October 16, 2019
Oregon Bach Fest, Caught In Turmoil, Is Light On Bach
James Bash
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June 27, 2019
‘Peer Gynt’ In Sound And Vision From Oregon Symphony
James Bash
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May 14, 2019
Puppet ‘Petrushka’ Casts Spell Over Magical Concert
James Bash
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November 8, 2018
Trans Women Seek Their New Voices In Unusual Hybrid
James Bash
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September 19, 2018
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