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Peering Into The Void: Concert Fare Explores Realm Of Mental Health
Global Youth Ensembles Fill Carnegie Hall With Vibe Of Art And…
At A Mountain Festival, Opera Meets Musical As Puccini, Weill Converge
Opera At Glimmerglass, From Madcap G&S To Verismo, Faithless Gods
Strait But Not Narrow: Washington Music Fest Transcends Mainstream
Canada
Festival Performance, Listeners On Point For Mahler 7th Symphony
Flourish Of Beethoven’s Last Piano Sonata Gives Pulse To Summer Music
A Veiled Treasure: Redesigned Church As Intimate Concert Hall
Making Surprise Debut As Murderous Medea, Naturally She Killed It
Scaling Strauss Twice, And Matching Peaks In The ‘Alpine Symphony’
World
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
On Small Stage, British ‘Ring’ Cycle Scores Big On Imagination, Quality
Puccini Opera Marathon, Romanian Style, Honors Centennial Of His Death
‘Thrill Of A Lifetime’: Critic As Chorister Sings Bach At…
Digital
It’s A Suite Of Brilliance As Conductor, Orchestra Co-star On Dazzling…
New Video Of ‘Rusalka’ Is Appealing Evidence Of Its Rising Popularity
Applying Modern Prism, CD Shifts Perspectives On Women Composers
Rare Tchaikovsky Opera Displays Charms Before Killing The Characters
Motets From History’s Shadows Are Diamonds In Rough Performance
Perspectives
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
On A Break From Audio, Fabulous Live Sound Of Opera And…
Even In Twilight Years, Andrew Davis Brought Lifelong Zest To Podium
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by James Bash
James Bash
32 POSTS
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James Bash is a freelance writer based in Portland, Ore. He reviews Portland Opera productions for Opera Magazine and writes for a number of publications, including his blog,
Northwest Reverb
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‘Beethoven Effect,’ Still Felt Across Generations, Sparks A Chamber Fest
James Bash
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July 3, 2024
‘Thrill Of A Lifetime’: Critic As Chorister Sings Bach At...
James Bash
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June 19, 2024
Racial Injustice Echoes In Music Before Solace Of Mozart’s Requiem
James Bash
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April 9, 2024
In Concert That Touted Courage, Even Stand-In Maestro Showed Pluck
James Bash
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February 1, 2024
Curtis Institute @ 100: Spinning The Pandemic Into A High-Tech Leap
James Bash
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October 27, 2023
Eyeful Of Grand Vistas, Earful Of Great Music: Critics Hit Bravo!...
James Bash
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July 20, 2023
When AC Fails, Concert Spotlighting Steel Pan Only Turns Up The...
James Bash
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May 2, 2023
Like A Chef In Kitchen, Maestro Loves Mixing His Baroque Ingredients
James Bash
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March 24, 2023
A New Violin Concerto As Cosmic Dialogue, Search For Perspective
James Bash
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January 30, 2023
Tines’ American Songs Lift Theme Of ‘Truths’ At 60th Britt Music Fest
James Bash
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June 29, 2022
Haitian Musical Legacy Resounds In Vivid Hues Of Orchestrated Songs
James Bash
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June 9, 2022
Wynton Marsalis Pens Concerto That Swings, Boogaloos — For Tuba!
James Bash
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May 5, 2022
A Vivid Opera Recreates Hounding, Exoneration Of The Central Park Five
James Bash
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March 24, 2022
On Portland’s Vibrant Music Scene, New Is Nourished Everywhere
James Bash
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January 20, 2022
New Maestro Steps Up, With A Little Boost From Hall’s Reinforced...
James Bash
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October 7, 2021
He’s Singer, Composer, A Musician Of Parts. (He Has A Baton,...
James Bash
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April 12, 2021
Sibelius’ ‘Tempest’ Casts Its Spell In Dramatic Setting
James Bash
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November 27, 2019
In Currie’s Hands, New Concerto Has Precision, Panache
James Bash
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October 16, 2019
Oregon Bach Fest, Caught In Turmoil, Is Light On Bach
James Bash
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June 27, 2019
‘Peer Gynt’ In Sound And Vision From Oregon Symphony
James Bash
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May 14, 2019
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