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Leslie Kandell

Leslie Kandell
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Leslie Kandell has contributed to The New York Times, Musical America, Musical America Directory, and The Berkshire Eagle.

Multifaceted Concerts Honor Koussevitzky As Tanglewood’s Founder

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Singers Unseen, Sober Tone Unstinting, ‘Passio’ Was Lengthy Challenge

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With Blizzard Of Notes, Wizardly Pianist Proves Too Much Is Just...

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As Tanglewood Opens, Boston Symphony Casts A Spotlight On Diversity

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Helsinki Phil’s Concert At Carnegie Points Up Art Of Susanna Mälkki

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Pianist Remembers Dad With A Little Help From His Composer Friends

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Vienna Phil, Thielemann Invoke Mighty Bruckner With Rewarding Eighth

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4,000-Year-Old Poetry Resounds Afresh In Very Modernist Music

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‘The Hours,’ New Opera Based On Woolf Novel, Maybe Just Needs...

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Through Paired Prisms, 2 Choral Works Reflect On The American Dream

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Flair Meets Substance As A Maestro In Purple Leads Carnegie Opener

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Marlboro Music, Where The Old Guard Gathers And Lemonade’s Still $1 

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On A Hot Day, Heggie’s ‘Decembers’ Opera Has Listener Pining For...

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In Flourish Of Sparkles, Yuja Wang Flashes Her Liszt At Tanglewood

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Bringing Raw Conviction To The Bleak World Of ‘Wozzeck’ In A Concert

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Voices Of Stile Antico Tap Into Deep Roots Of Evergreen Renaissance

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Playing To Eager Crowd, Resurgent Bang On Can Delivers Winning Fare

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Blomstedt And Williams Close Out Tanglewood On Grand, Wistful Note

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Glimpsed In Clear Light Of Glass, New Rzewski Proves A Thicket...

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Bruckner Faces Exodus Following Bounty Of Modern

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