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Nadia Boulanger Opera, Despite Cuts, Displays Teacher’s Own Mastery
Jesus’ Death: A Drama Drawn Lean For Harp, Mark Morris Dancers
Saint-Saëns And Ravel With True French Flair As Langrée Storms LA
Oratorio As Snapshots: Images From A Lifetime Framed In Words, Music
Conducting Laureate Shows Flair For Mahler With Third Symphony
Canada
Canadian Orchestras Create Spate Of CDs With Uneven Results
Prize In Hand, Recital On Hold, Singer Makes In-Person Debut At…
2 Canadian Orchestras Combine In Symphony Honoring WWII French
Sets, Cast, And Chorus Were Great. Music And Libretto, Not So…
Women At Center Stage In Flurry Of Concerts By Ensembles Large,…
World
Focus On Bright Stars, Ambitious Arts Festival Creates A Constellation
Hardly April, But Opera Displays Its Revitalizing Blooms In City Of…
Trip To Greek Homeland Mingles Nostalgia With A Fierce ‘Lady Macbeth’
Aussies Around Globe Gather As All-Stars For An Ardent Mahler Ninth
Vocal Fireworks Abound As Visiting Critic Revels In The Glories Of…
Digital
Baritenor’s CD Traces Glittering Paths That Led Opera To Wagner
Even Lacking Visuals, Handel’s Vivid Music Illustrates ‘Alcina’ CD
Freshening Up Josquin With A Scholarly Flair, Down-To-Earth Clarity
Through Diverse Voices Over Millennia, Cantata Invokes Spirit Of Mercy
Schubert Song Cycles, Recycled In Lyric Glory Of Marginalized Mezzo
Perspectives
A Cacophony Of Voices, Human And Planetary: Songs Of World As…
Sampling Art Of Song, Will Liverman Leaves Final Lyric To His…
The Ormandy Mystique Captured In A Box, But Then Again, Not…
International Harmony Via Cultural Exchange: It’s Major In Minor Steps
Seiji Ozawa, Exceptional And Inspiring, Left His Stamp On Music World
Our Critics’ Picks
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Posts by Rebecca Schmid
Rebecca Schmid
92 POSTS
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Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Rattle, Berlin Aim To Tempt Appetite For Musical ‘Tapas’
Rebecca Schmid
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November 6, 2017
‘Wozzeck,’ Chamber Scaled, Still Packs Its Violent Punch
Rebecca Schmid
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October 21, 2017
Swirling Episodes Of Sound Probing New Sonics? ‘Yes’!
Rebecca Schmid
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September 14, 2017
Connections Made, Or Missed, Across Many Cultures
Rebecca Schmid
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September 2, 2017
For Opera-Bound, Competition Final Is All-Around Win
Rebecca Schmid
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July 31, 2017
Weill Fest Explores Music’s Advocate For Social Progress
Rebecca Schmid
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July 6, 2017
‘Trip To The Moon:’ Gift To Amateurs, Laced With Maxim
Rebecca Schmid
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June 20, 2017
Lunar ‘Parsifal:’ Toto, We’re Not In Bayreuth Anymore
Rebecca Schmid
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June 8, 2017
Rattle Nears Exit In Berlin, Remains Champion Of New
Rebecca Schmid
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June 5, 2017
Granted, Medea Is A Murderer, But Her Kids Are Dolls
Rebecca Schmid
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May 26, 2017
Old Music In New Venue: Paris Puts Hall In The Seine
Rebecca Schmid
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April 28, 2017
Comic ‘Sorochintsy’: Pigs On Stilts In Ukrainian Village
Rebecca Schmid
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April 5, 2017
‘Death In Venice’: Cast Is Ripe, But Staging Is Green
Rebecca Schmid
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March 24, 2017
Scartazzini Opera Fails To Shock In Berlin Premiere
Rebecca Schmid
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February 26, 2017
Rattle, Berlin Phil Explore Drama In Symphonic Music
Rebecca Schmid
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February 16, 2017
Visual Magic Hits, Misses In Ravel, Stravinsky Bill
Rebecca Schmid
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February 2, 2017
Rihm’s ‘Tutuguri’ Leaves Percussive Tattoo On Festival
Rebecca Schmid
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September 6, 2016
Women Flourish With Baton At Lucerne Festival
Rebecca Schmid
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August 31, 2016
Destined For Met, Eerie ‘Angel’ Bows At Salzburg Fest
Rebecca Schmid
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August 11, 2016
Bloody Whispers, Ripped From The Headlines Of 1590
Rebecca Schmid
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July 14, 2016
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