Facebook
Instagram
Twitter
About
Join
Contact
Donate
Around the U.S.
Canada
World
Digital
Perspectives
Our Critics’ Picks
Search
About
Join
Contact
Donate
Music Critics Create Annual Opera Award
Sign in
Welcome! Log into your account
your username
your password
Forgot your password? Get help
Password recovery
Recover your password
your email
A password will be e-mailed to you.
Classical Voice North America
About
Join
Contact
Donate
Around the U.S.
Global Youth Ensembles Fill Carnegie Hall With Vibe Of Art And…
At A Mountain Festival, Opera Meets Musical As Puccini, Weill Converge
Opera At Glimmerglass, From Madcap G&S To Verismo, Faithless Gods
Strait But Not Narrow: Washington Music Fest Transcends Mainstream
TIME:SPANS Promises Relief From August Heat At Cool New-Music Fest
Canada
Festival Performance, Listeners On Point For Mahler 7th Symphony
Flourish Of Beethoven’s Last Piano Sonata Gives Pulse To Summer Music
A Veiled Treasure: Redesigned Church As Intimate Concert Hall
Making Surprise Debut As Murderous Medea, Naturally She Killed It
Scaling Strauss Twice, And Matching Peaks In The ‘Alpine Symphony’
World
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
On Small Stage, British ‘Ring’ Cycle Scores Big On Imagination, Quality
Puccini Opera Marathon, Romanian Style, Honors Centennial Of His Death
‘Thrill Of A Lifetime’: Critic As Chorister Sings Bach At…
Digital
It’s A Suite Of Brilliance As Conductor, Orchestra Co-star On Dazzling…
New Video Of ‘Rusalka’ Is Appealing Evidence Of Its Rising Popularity
Applying Modern Prism, CD Shifts Perspectives On Women Composers
Rare Tchaikovsky Opera Displays Charms Before Killing The Characters
Motets From History’s Shadows Are Diamonds In Rough Performance
Perspectives
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
On A Break From Audio, Fabulous Live Sound Of Opera And…
Even In Twilight Years, Andrew Davis Brought Lifelong Zest To Podium
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
Home
Authors
Posts by Rebecca Schmid
Rebecca Schmid
94 POSTS
0 COMMENTS
Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Staging Captures ‘L’Enfance du Christ’ As Living Nativity
Rebecca Schmid
-
December 20, 2017
Vibrant ‘Prophète’ Goes The Five-Act Distance (Almost)
Rebecca Schmid
-
November 29, 2017
Rattle, Berlin Aim To Tempt Appetite For Musical ‘Tapas’
Rebecca Schmid
-
November 6, 2017
‘Wozzeck,’ Chamber Scaled, Still Packs Its Violent Punch
Rebecca Schmid
-
October 21, 2017
Swirling Episodes Of Sound Probing New Sonics? ‘Yes’!
Rebecca Schmid
-
September 14, 2017
Connections Made, Or Missed, Across Many Cultures
Rebecca Schmid
-
September 2, 2017
For Opera-Bound, Competition Final Is All-Around Win
Rebecca Schmid
-
July 31, 2017
Weill Fest Explores Music’s Advocate For Social Progress
Rebecca Schmid
-
July 6, 2017
‘Trip To The Moon:’ Gift To Amateurs, Laced With Maxim
Rebecca Schmid
-
June 20, 2017
Lunar ‘Parsifal:’ Toto, We’re Not In Bayreuth Anymore
Rebecca Schmid
-
June 8, 2017
Rattle Nears Exit In Berlin, Remains Champion Of New
Rebecca Schmid
-
June 5, 2017
Granted, Medea Is A Murderer, But Her Kids Are Dolls
Rebecca Schmid
-
May 26, 2017
Old Music In New Venue: Paris Puts Hall In The Seine
Rebecca Schmid
-
April 28, 2017
Comic ‘Sorochintsy’: Pigs On Stilts In Ukrainian Village
Rebecca Schmid
-
April 5, 2017
‘Death In Venice’: Cast Is Ripe, But Staging Is Green
Rebecca Schmid
-
March 24, 2017
Scartazzini Opera Fails To Shock In Berlin Premiere
Rebecca Schmid
-
February 26, 2017
Rattle, Berlin Phil Explore Drama In Symphonic Music
Rebecca Schmid
-
February 16, 2017
Visual Magic Hits, Misses In Ravel, Stravinsky Bill
Rebecca Schmid
-
February 2, 2017
Rihm’s ‘Tutuguri’ Leaves Percussive Tattoo On Festival
Rebecca Schmid
-
September 6, 2016
Women Flourish With Baton At Lucerne Festival
Rebecca Schmid
-
August 31, 2016
1
2
3
4
5
Page 3 of 5
Classical Voice North America