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In Met Opera’s Revival, ‘Barbiere’ Emerges Trim And Musically Charged
In Concert For Strings, Historical Style Melds With A New Concerto
The Saga Of Anne Frank, Sharply Framed Within Gripping Opera For…
In A ‘Così Fan Tutte’ Refitted For Our Time, Mozart Encounters…
Festival’s Wide Scope Offers Classical Music Writ On Intimate Scale
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In An Operatic Spectacle Of Courtly Amusements, Two Biblical Bros Bond
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
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Seen In Royal Intimacy, Donizetti’s Belle ‘Fille’ Conquers French Hearts
After A Long Absence, Tchaikovsky’s ‘Iolanta’ Makes Colorful Return
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
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Of Bees And Piazzolla: Dances Familiar, Bizarre Animate A Violin Album
Recording Sheds Light On Piano Concertos By Women History Forgot
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
Perspectives
For Jerusalem Quartet, Shostakovich Cycle Is Dive Into Elusive…
Son Of Native American ‘Shell-Shaking Culture’ Talks Roots On Podcast
Schiff On His Boycott: ‘If I Were A U.S. Citizen, I…
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
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Tennstedt Bio Reveals Great Maestro At Odds With World and…
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Posts by Rebecca Schmid
Rebecca Schmid
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Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Barenboim Hails Schoenberg At Musikfest Berlin
Rebecca Schmid
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September 10, 2015
Lucerne Festival Embraces Beloved And Newest Fare
Rebecca Schmid
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August 31, 2015
Spirit Of Protest Spun From Blues And Avant-garde
Rebecca Schmid
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August 18, 2015
Dancers Sing And Singers Dance In Sasha Waltz ‘Orfeo’
Rebecca Schmid
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July 7, 2015
Festival Reveals Piano Gems From A Siberian Prison
Rebecca Schmid
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June 26, 2015
Eötvös, Bartók: Brothers In Opera, Without The Blood
Rebecca Schmid
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May 5, 2015
‘Moses Und Aron’ Takes Rocky Path At Komische Oper
Rebecca Schmid
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April 27, 2015
‘Lucia di Hyannis Port’? Bel Canto Madness Updated
Rebecca Schmid
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February 4, 2015
Beyond The Galop, Dancing Horses Sashay To Mozart
Rebecca Schmid
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January 26, 2015
In Berlin, ‘Hélène’ Not So Belle And ‘Tosca’ Is Teutonic
Rebecca Schmid
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October 17, 2014
Pianist Or Artistic Chief, Buchbinder Is Purist At Heart
Rebecca Schmid
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October 14, 2014
Da Vinci’s Design For Gamba-Organ Voiced At Festival
Rebecca Schmid
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September 19, 2014
Rossini Festival Revives ‘Aureliano’ In Vocal Splendor
Rebecca Schmid
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August 26, 2014
Schubert Rarity ‘Fierrabras’ Is Star Of Salzburg Fest
Rebecca Schmid
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August 20, 2014
Strauss’ ‘Feuersnot’ Rings Authentic In Al Fresco Staging
Rebecca Schmid
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June 12, 2014
The Deutsche Oper’s new ‘Lohengrin’ gets Wings but does not take...
Rebecca Schmid
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April 16, 2012
Man against the Machine, thoughts about Zambello’s Ring
Rebecca Schmid
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June 22, 2011
Global Politics and Video in Wagner’s Ring
Rebecca Schmid
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June 16, 2011
Vorspiel
Rebecca Schmid
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June 15, 2011
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Classical Voice North America