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Classical Voice North America
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Touring U.S., London SO Parades British Classics (With Bernstein, Mahler)
Back From Injury, Hahn Offers Brahms Concerto Of Rare Personal Depth
‘Magic Flute’ Animation Mirrors Vocal Vitality In Winning Kosky Revival
Mahler Venture Begins On Pathway Of Songs, Symphonic Fragments
Oliveros’ Otherworldly Opera Illuminated As Improv Tour De Force
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Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
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Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
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The Boy Mozart’s Riot Of Royalty, Vocal Bling: ‘Mitridate’ Video Glitters
Profile Of A Monk, Cast In Resonant Lines Of Renaissance Polyphony
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
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Tennstedt Bio Reveals Great Maestro At Odds With World and…
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American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Rebecca Schmid
Rebecca Schmid
98 POSTS
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Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Semi-seria ‘Cellini,’ Semi-staged, Full Of Vitality, Color
Rebecca Schmid
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September 4, 2019
Salzburg Festival Makes A Case For Enescu’s ‘Oedipe’
Rebecca Schmid
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August 17, 2019
China Competition Makes Debut With Philadelphians
Rebecca Schmid
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May 27, 2019
Vienna Phil Opens Bruckner Tour At Berlin Cathedral
Rebecca Schmid
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May 10, 2019
Glanert’s ‘Oceane’: A Water Nymph Out Of Her Depth
Rebecca Schmid
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May 3, 2019
Separate Stages, Two Results For Myths As Opera
Rebecca Schmid
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April 4, 2019
‘Flute’ Is Redrawn In Cartoon Images (Strings Attached)
Rebecca Schmid
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February 23, 2019
Ultraschall Fest Gives Posthumous Hirsch Premiere
Rebecca Schmid
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January 23, 2019
‘Violet Snow’ Shivers With The Chill Of Earth’s Last Throes
Rebecca Schmid
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January 17, 2019
Staging ‘Messiah’ For Our Time Is Mixed Blessing
Rebecca Schmid
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December 18, 2018
Happy Marriage: Italian Style With French Accents
Rebecca Schmid
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December 5, 2018
Modern Rendering Of Rameau Opera Fizzles In Berlin
Rebecca Schmid
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November 28, 2018
Semyon Bychkov Leads Czech Phil Into A New Era
Rebecca Schmid
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October 26, 2018
Worst Mom Goes Mad, In French, At The Staatsoper
Rebecca Schmid
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October 11, 2018
Musikfest Berlin Reaches From 20th To 21st Century
Rebecca Schmid
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September 12, 2018
Von Einem’s 100th Turns Kafkaesque With ‘Der Prozess’
Rebecca Schmid
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August 20, 2018
‘Queen Of Spades’ Gets Reshuffled As Stark, Cool Drama
Rebecca Schmid
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August 16, 2018
Young Talent Was Plentiful, Artistic Style Was Missing
Rebecca Schmid
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June 16, 2018
Director Remodels ‘House Of The Dead’ With Heavy Hand
Rebecca Schmid
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May 28, 2018
Frosch As Android: ‘Regietheater’ Comes To ‘Die Fledermaus’
Rebecca Schmid
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May 2, 2018
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