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All Hands On Deck: Orchestra Shares Stage With ‘Rheingold’ Singers

CALGARY – For its first go at any of Wagner's Ring dramas, Calgary Opera moved the considerably expanded orchestra from a cramped pit and onto the action space, front and center amid an uneasy flow of gods and giants and Rhinemaidens.

Nadia Boulanger Opera, Despite Cuts, Displays Teacher’s Own Mastery

NEW YORK – La ville morte should have been the sensation of 1914 Paris but for the hand of fate. More than a century later, the only opera composed by the influential teacher was given its New York premiere by Catapult Opera Company.

Jesus’ Death: A Drama Drawn Lean For Harp, Mark Morris Dancers

BERKELEY – Set to Nico Muhly's cycle The Street, inspired by 14 poems by Alice Goodman and here renamed Via Dolorosa, Morris' dance had its quietly beautiful world premiere on a program with the dance of another death: that of Socrates.

A Cacophony Of Voices, Human And Planetary: Songs Of World As One

PERSPECTIVE – Composer Matthew Aucoin's new Music for New Bodies, directed for the stage by Peter Sellars, is a “synesthetic song cycle” that reflects the interconnectedness of individuals and collective humanity with the wider natural world.

Saint-Saëns And Ravel With True French Flair As Langrée Storms LA

LOS ANGELES – Conductor Louis Langrée seems to have found a potent connection with the LA Philharmonic. His pairing of Ravel's Ma mère l’Oye and Saint-Saëns' Organ Symphony sparked one of the longest curtain-call ovations I've heard here.

Baritenor’s CD Traces Glittering Paths That Led Opera To Wagner

DIGITAL REVIEW – In his latest recital disc, In The Shadows, the eternally curious baritenor Michael Spyres surveys some of the Bayreuth bard’s antecedents, and also recaps his own vocal journey as he embarks on the Wagnerian canon.

Oratorio As Snapshots: Images From A Lifetime Framed In Words, Music

NEW YORK – We take for granted our ability to snap, and immediately see, dozens of photos a day. Composer Luna Pearl Woolf and librettist David Van Taylor’s Number Our Days: A Photographic Oratorio recalls a different time.

Quasi-Robotics Concert, Where AI Perhaps Stood For Almost Involved

SAN FRANCISCO – The 10th season of the San Francisco Symphony's SoundBox series ended with a conceptually fascinating program called “Press Play,” curated by “Carol Reiley and her robots.” But it needed more AI compositions.

An Oboe Ode To Joy: Youth Meets Diversity In A Profusion Of Delights

SEATTLE – Artistry and camaraderie shared top billing at Oboe / Oboe, a high-spirited concert presented by Emerald City Music, whose creative series aspires to open classical music to younger and more diverse audiences and performers.

To Orchestra In Need, Guest Conductor Brings Affinity Of An Old Friend

SEATTLE – in its search for a new music director, the Seattle Symphony has played under the wide-ranging styles of seven different conductors this season, but the high-level playing under David Robertson conveyed an aura of mutual comfort.
Spoleto USA

Energized Spoleto USA Runs Brash Gamut From Barber To Balloon Pops

CHARLESTON, S.C. – An imaginative revival of Barber's Vanessa was the 2023 festival highlight, but the offerings around town also included edgy and outré works along with standards like The Rite of Spring and the New World Symphony.

On Portland’s Vibrant Music Scene, New Is Nourished Everywhere

PORTLAND, Ore. – This city has become a busy hub for new music. Its vigorous creativity ranges from chamber ensembles dedicated to contemporary music to companies that explore the latest operas. The place is jumping.

A Ring Of Authenticity: ‘Das Rheingold’ Played On Period Instruments

PERSPECTIVE – Kent Nagano led the early-music ensemble Concerto Köln in a version based on lengthy research by a special committee that sought the sound Wagner might have hoped for when composing the piece in the 1850s.

Michael Tilson Thomas Returns To SF Podium In Warm Homecoming

SAN FRANCISCO – His characteristic erect posture unaltered by the recent physical and emotional challenges of brain-tumor surgery, MTT, who turns 77 on Dec. 21, led the San Francisco Symphony in his own music and Schumann's.

Hail, Bright Abode! Life (And Art) Reaffirmed At The Resurgent LA Opera

LOS ANGELES – Defiantly back in business after a long pandemic-induced hiatus, the LA Opera took a giant step toward normalcy by staging Wagner’s Tannhäuser, the company’s first production of anything by Wagner in eight and a half years.

Not Bass, Not Baritone, Davóne Tines Revels In A Register All His Own

PERSPECTIVE – Tines, who has burst onto the world's music stages, commands a range of more than three octaves, from low D to high E-flat. He says he is neither a bass nor a baritone: “It’s a broader conception of how to think about voice.”

Summer Fests: Warm Air Renews Its Familiar Lure Across Midwest

PREVIEW – At last, some good news! William Grant Still's opera Highway 1, U.S.A. is among the offerings this summer as Midwest opera and orchestra festivals offer their novel enticements to draw people back into the concert habit.

Sleuths Pursue Chopin As Genius And Enigma Across Pages Of Time

BOOK REVIEW – Three recent books about the composer-pianist offer rich insights into his life as man and musician. All three offer much to ponder, and time and again had this reader reaching for a score or a recording to follow up.

Composer Schwantner, Marching To His Own Drum, Chimes, Crotales

PERSPECTIVE – Even with some 60 works and a Pulitzer Prize to his credit, Joseph Schwantner's far-ranging sound palette and distinctive voice remain something of a hidden treasure, unfamiliar to much of the concertgoing public.

On Foot And In Song, Retracing Stony Course Of Blacks In New York

NEW YORK - In its series of site-specific operas in unconventional locations throughout the city, On Site Opera now offers The Road We Came, walking tours with streamed music recalling the richness and the trials of Black history here.
Classical Voice North America