Colin Eatock

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Tafelmusik Salutes Bach’s Leipzig In ‘Circle of Creation’

By Colin Eatock
TORONTO - The admired Canadian baroque orchestra has come around to thinking that modernity isn’t all bad. J.S. Bach: The Circle of Creation is its third multimedia blend of a well-honed HIP ethos with cutting-edge technology.

Paired Dark Tales: Vintage Lepage At Canadian Opera

By Colin Eatock
TORONTO - It was in the early 1990s that director Robert Lepage and designer Michael Levine twinned Bluebeard’s Castle and Erwartung with a boldness that has aged well – or perhaps it’s better to say that it hasn't aged at all.

Toronto Symphony Salutes Armenian Music And Artists

By Colin Eatock
TORONTO - A packed house heard the orchestra give a concert featuring such musicians of Armenian descent as violinist Sergey Khachatryan, soprano Isabel Bayrakdarian, and music director Peter Oundjian.

East Greets West In A Now That Sounds Like Then

By Colin Eatock
TORONTO - Although five works by Canadian and Chinese composers including Fuhong Shi were premieres, a New Music Concerts event Feb. 14 seemed a throwback to high modernism and post-war avant-garde tricks of the trade.

Toronto Symphony Shines Spotlight On Nielsen At 150

By Colin Eatock
TORONTO – Danish composer Carl Nielsen is still on the fringes of the canon, but his music has a chance to find a wider audience this concert season, with a mini Nielsen-fest in Toronto, and more to come in the U.S. and Europe.

New Music Band Esprit Shows Its Singular Palette

By Colin Eatock
TORONTO - There aren’t many orchestras with an exclusive commitment to new music like Esprit, led by Alex Pauk. Ives' 1906 Central Park in the Dark, on a recent bill, may be the oldest work the group has ever performed.

Keyed For Europe, Toronto Symphony Crowns A Festival

By Colin Eatock
TORONTO – Kicking off a European tour for the city back home, maestro Peter Oundjian and the Toronto Symphony Orchestra performed a festival concert for Toronto Summer Music, now in its ninth season. Next stop, Vienna.

Tafelmusik Honors Director Lamon As Long Tenure Ends

By Colin Eatock
TORONTO – A festive tribute to Tafelmusik Baroque Orchestra's artistic director and concertmaster Jeanne Lamon included a postmodern melange of new variations on Purcell themes and a medley of Lamon's favorites.

Toronto ‘Devereux’ Strong But Short On Stylishness

By Colin Eatock
TORONTO – The Canadian Opera Company is delving into lesser-known repertoire, including Donizetti's Roberto Devereux, which is onstage in a production that replaces bel canto subtlety with verismo-like intensity.

New Concertos Headline Toronto ‘Creations’ Fest

By Colin Eatock
TORONTO - For sheer size and scope of ambition, the second piano concerto of Magnus Lindberg was among several works at the New Creations Festival that invited comparison with the greatest works in the genre.

Choruses Outshine Pale Repertoire In Toronto Showcase

By Colin Eatock
TORONTO - Three of Canada's best choral ensembles combined into a 60-voice "super choir" of supple flexibility to perform music of Latvian composer Uģis Prauliņš and counterparts from Finland, Poland, Norway and Canada.

Canadian Opera’s ‘Così’ Doesn’t Equal Sum Of The Hearts

By Colin Eatock
TORONTO - Operatic arithmetic doesn’t always work in quite the same ways that normal math does. The sum of an ambitious production of Mozart’s Così fan tutte at Canadian Opera Company is a hodge-podge, engaging in some respects, tedious in others.

Ax’s Brahms Spices Bland Night With Toronto Symphony

By Colin Eatock
TORONTO -- Peter Oundjian, in his tenth season as music director of the TSO, led the local premiere of Gary Kulesha's Third Symphony and teamed with Emanuel Ax in Brahms' Piano Concerto No. 2.

Pianist Hamelin Takes the Road Less Traveled

By Colin Eatock
TORONTO -- "If you look at my discography, I don't think you'll find anything like it anywhere else," says Canadian pianist Marc-André Hamelin in a wide-ranging interview. "I've always had a taste for the unfamiliar."

Stylish ‘Abduction’ Kicks Off Season For Opera Atelier

By Colin Eatock
TORONTO -- Beyond Canada's borders, Opera Atelier isn't nearly as well-known as it ought to be. Its period-based production of Mozart's Abduction From the Seraglio, now playing, reflects the mom-and-pop operation's distinctive house style.

Griffey Secures Toronto’s Elusive Staging of ‘Grimes’

By Colin Eatock
Tenor Anthony Dean Griffey flew in on short notice to sub for ailing Ben Heppner and save the Canadian Opera Company season opener "Peter Grimes." But Benjamin Britten's 1945 masterpiece was not well served by the single-set community hall staging.

Tafelmusik Shows Virtues, Limits in Beethoven Concert

By Colin Eatock
The leading period ensemble in Toronto is the Tafelmusik Baroque Orchestra, best known for its historically informed performances of Baroque repertoire. But the orchestra has been gradually pressing forward, embracing the Classical and even the early Romantic eras.

Summer Festivals: Small Treasures Await Discovery in Eastern Canada

By Colin Eatock
There's certainly no lack of summer music festivals in Eastern Canada. They're big and small, urban and rural, wide-ranging or strictly classical in their programming. Here are half a dozen festivals you may not know about.

Canadian Opera’s ‘Carmelites’ Solid In Theater Values

By Colin Eatock
At first glance, it looks simply threadbare. But with poised and ritualized staging, director Robert Carsen has created a poetic theatrical experience. As well, the grand starkness of Michael Levine's design focuses attention on significant details

The New Orford Quartet in Toronto

I first heard the New Orford Quartet last winter, under less-than-ideal conditions: in a pre-concert performance at a Toronto Symphony concert, in the lobby of Roy Thomson Hall. With the inevitable background noise, it was hard to hear every nuance of their performance – but I heard enough to want to hear them again. So when I learned that the New Orfords would be playing a concert at Gallery 345, a warehouse space in Toronto’s West End, I made plans to attend. Unfortunately, very few other people made similar plans.

A Message From Our President

John Fleming
MCANA President

Welcome to Classical Voice North America, the online news journal of the Music Critics Association of North America. CVNA was launched in 2013 to provide an outlet for classical music coverage at a time when the market for traditional print journalism was shrinking. With readers in 154 countries, our site has shown steady growth, exceeding 1.1 million page views and 2,000 reviews, essays, and lookaheads. Read about our fourth annual MCANA Award for Best New Opera, which has become one of the organization’s signature initiatives. Learn more about our Music Critics Assocation here. Are you a music critic? Join us.

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