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James Bash

James Bash
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James Bash is a freelance writer based in Portland, Ore. He reviews Portland Opera productions for Opera Magazine and writes for a number of publications, including his blog, Northwest Reverb.

Letters Sung Of Love Found, Lost By Juliets And All Their...

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Percussion Ace Shows Gifts As Composer With Glittering Cello Concerto

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‘Beethoven Effect,’ Still Felt Across Generations, Sparks A Chamber Fest

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‘Thrill Of A Lifetime’: Critic As Chorister Sings Bach At...

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Racial Injustice Echoes In Music Before Solace Of Mozart’s Requiem

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In Concert That Touted Courage, Even Stand-In Maestro Showed Pluck

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Curtis Institute @ 100: Spinning The Pandemic Into A High-Tech Leap

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Eyeful Of Grand Vistas, Earful Of Great Music: Critics Hit Bravo!...

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When AC Fails, Concert Spotlighting Steel Pan Only Turns Up The...

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Like A Chef In Kitchen, Maestro Loves Mixing His Baroque Ingredients

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A New Violin Concerto As Cosmic Dialogue, Search For Perspective

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Tines’ American Songs Lift Theme Of ‘Truths’ At 60th Britt Music Fest

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Haitian Musical Legacy Resounds In Vivid Hues Of Orchestrated Songs

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Wynton Marsalis Pens Concerto That Swings, Boogaloos — For Tuba!

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A Vivid Opera Recreates Hounding, Exoneration Of The Central Park Five

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On Portland’s Vibrant Music Scene, New Is Nourished Everywhere

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New Maestro Steps Up, With A Little Boost From Hall’s Reinforced...

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He’s Singer, Composer, A Musician Of Parts. (He Has A Baton,...

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Sibelius’ ‘Tempest’ Casts Its Spell In Dramatic Setting

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In Currie’s Hands, New Concerto Has Precision, Panache

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