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Thomas May

Thomas May
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http://memeteria.com
Thomas May is a freelance writer, critic, educator, and translator whose work has been published internationally. The English-language editor for Lucerne Festival, he also writes for such publications as The New York Times and Musical America.
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Orchestra As Lead Voice Rings True In Crowning A Concert ‘Ring’...

Thomas May -

Orchestra Enters ‘Ring’ At Center Stage, Etching Images In Wagner Gold

Thomas May -

Desolation Illustrated: Frozen, Deathly Vistas Of ‘Sinfonia Antartica’

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Conducting Laureate Shows Flair For Mahler With Third Symphony

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Five Pianists Parade Their Perspectives On Theater Of Glass Etudes

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As Composer Reflects On Life Of His Mother, Memory Meets Music

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To Orchestra In Need, Guest Conductor Brings Affinity Of An Old...

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‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful

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‘(R)evolution’ Revisited: Steve Jobs Opera Gets A Compelling Renewal

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In A Sunny Vale Where Hemingway Sheltered, Free Concerts Resound

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Passion Fires The Heart Of Summer Concerts In Chamber Music Festival

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Vänskä’s Mahler Second Leaves Dual Impression Of Restraint, Passion

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Music Of Shostakovich Brings Fresh Drama To Silent Film ‘Potemkin’

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Vespers Bear Message Of Sorrow, Hope For ‘Blessed Earth’ In Peril

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Regional Orchestras 2: Blazing New Pathways In Washington, Oregon

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Regional Orchestras 1: After Covid, A Renewed Commitment To Music

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An Electrified Concerto Zaps Violin Tradition With Cosmic Fantasy

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As A Musical Olympian, In Sprint And Marathon, Salonen Shows Mettle

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In Pastoral Vastness, Grand Art Harmonizes With Music’s Intimacy

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Amid Natural Splendor Of Bravo! Vail Festival, NY Phil Invokes Mahler

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