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Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
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Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Rebecca Schmid
Rebecca Schmid
95 POSTS
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Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Vienna Phil Opens Bruckner Tour At Berlin Cathedral
Rebecca Schmid
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May 10, 2019
Glanert’s ‘Oceane’: A Water Nymph Out Of Her Depth
Rebecca Schmid
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May 3, 2019
Separate Stages, Two Results For Myths As Opera
Rebecca Schmid
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April 4, 2019
‘Flute’ Is Redrawn In Cartoon Images (Strings Attached)
Rebecca Schmid
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February 23, 2019
Ultraschall Fest Gives Posthumous Hirsch Premiere
Rebecca Schmid
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January 23, 2019
‘Violet Snow’ Shivers With The Chill Of Earth’s Last Throes
Rebecca Schmid
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January 17, 2019
Staging ‘Messiah’ For Our Time Is Mixed Blessing
Rebecca Schmid
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December 18, 2018
Happy Marriage: Italian Style With French Accents
Rebecca Schmid
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December 5, 2018
Modern Rendering Of Rameau Opera Fizzles In Berlin
Rebecca Schmid
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November 28, 2018
Semyon Bychkov Leads Czech Phil Into A New Era
Rebecca Schmid
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October 26, 2018
Worst Mom Goes Mad, In French, At The Staatsoper
Rebecca Schmid
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October 11, 2018
Musikfest Berlin Reaches From 20th To 21st Century
Rebecca Schmid
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September 12, 2018
Von Einem’s 100th Turns Kafkaesque With ‘Der Prozess’
Rebecca Schmid
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August 20, 2018
‘Queen Of Spades’ Gets Reshuffled As Stark, Cool Drama
Rebecca Schmid
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August 16, 2018
Young Talent Was Plentiful, Artistic Style Was Missing
Rebecca Schmid
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June 16, 2018
Director Remodels ‘House Of The Dead’ With Heavy Hand
Rebecca Schmid
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May 28, 2018
Frosch As Android: ‘Regietheater’ Comes To ‘Die Fledermaus’
Rebecca Schmid
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May 2, 2018
‘Falstaff’ Updated, With Sir John As Berlin Gang Boss
Rebecca Schmid
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March 29, 2018
Neglected Opera By Korngold Turns Out To Be A Gem
Rebecca Schmid
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March 21, 2018
Beauty Of Cilea’s ‘L’Arlesiana’ Shines In Concert Revival
Rebecca Schmid
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March 9, 2018
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