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Adams-Sellars ‘El Niño’ Blows Onto Met Stage With Look Of A...

John Rockwell -

Chemistry Feels A Little Late (At Curtain Call) In Met Return...

David Shengold -

Met Resurrects ‘Forza’ In Stark New Look, And A New Force...

James L. Paulk -

Amazon Opera Journey Widens Met’s Embrace (With Guilty Pleasures)

Susan Brodie -

Malcolm X Opera Vital Sign Of Met’s Resolve To Embrace Diversity

Rick Perdian -

Heggie’s Opera Bounty And Diversity Mirrored In Swell Of Productions

Matthew Gurewitsch -

Met’s All-New ‘Flute’ Spins Mozart Forward To Freshening Present

David Patrick Stearns -

New ‘Giovanni’ At Met: Grim And Grinding, And Dramatically Top-Notch

Susan Brodie -

A Different Ring Opera Also Finds A Matchless Hero Cursed By...

Susan Brodie -

‘Lohengrin’ Once More Glides Onto Met Stage, In Blaze Of Vocal...

Susan Brodie -

‘The Hours,’ New Opera Based On Woolf Novel, Maybe Just Needs...

Leslie Kandell -

Verdi’s ‘Don Carlo(s)’ Given Both Treatments In New York, Chicago

David Shengold -

Allan Clayton Probes Storm-Tossed Soul As The Met’s Peter Grimes

James L. Paulk -

Met’s ‘Idomeneo’ Revival Displays Lasting Charm Of A Ponnelle Classic

David Shengold -

Opera ‘Hamlet’: Fewer Words, Words, Words; Yet Not To Be Missed

David Shengold -

‘Lucia’ In The Rust Belt: Met Abandons Scotland And Scores A...

James L. Paulk -

Met’s ‘Eugene Onegin’ Mires Fine Singing In Swamp Of Busy Excess

David Shengold -

Weimar-Era ‘Rigoletto’ Accents A Dark Tragedy With Luminous Singing

David Patrick Stearns -

Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place

Susan Brodie -

Met’s ‘Meistersinger’: An Uneven Return To Time-Worn Tradition

David Shengold -
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