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Classical Voice North America
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Join
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Around the U.S.
Vienna Phil, Thielemann Invoke Mighty Bruckner With Rewarding Eighth
New Opera As Sapling: Glimpse At Machover’s Lyric Portrait Of Trees
Mehta, Now Grand Old Maestro, Flips Switch In A Vibrant Mahler Third
Pursuing The Intensity Of ‘Thousand Suns’ In Opera World Premiere
3 Women Conductors Eclipse Gender Issues In NY Phil Concerts
Canada
‘Fragments’ For Cello: Random Bach, New Bits All Add Up To…
A Hundred Musicians, One Glorious Sound: Chicago’s Grand Band
With Canadian Premiere Of ‘Jobs,’ Opera House Buffs Modernist Profile
Multi-talented Hannigan Cedes Baton In Display Of Otherworldly Singing
Amid Old Friends Again, Emerson Quartet Offers Farewell To Remember
World
Updated To Instagram, Handel’s ‘Belshazzar’ With Its Tension Intact
Embracing The Theater At The Heart Of Cilea’s ‘Adriana Lecouvreur’
Ligeti’s Creative Journey And Influence Retraced In Centennial Concert
Sunning At The Beach As Earth Turns Plastic: Lyric Of An Anti-Opera
The Lure Of Barcelona’s Architecture Leads To Musical Treasure Trove
Digital
The Play Was The Thing For Henry Purcell, Other Restoration Composers
In Music Of Our Time, Venerable Harpsichord Speaks In New Accents
17th-Century Blossoms Strewn By The Handful: Music For Triple Harp
Gods Behaving Badly, But Stylishly, Ignite CD Of French Opera Rarity
3 Swedish Composers Rule Virtual Stage On CD Of Piano Concertos
Perspectives
Kirchner Letters Paint Composer As Fierce, Inspiring Intellectual
Regional Orchestras 2: Blazing New Pathways In Washington, Oregon
Regional Orchestras 1: After Covid, A Renewed Commitment To Music
Tamino From The Past Recalls A Magical Trek Across Stages Of…
Missing ‘Part Of Life,’ Andsnes Returns To U.S. Concert Touring
Our Critics’ Picks
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
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Metropolitan Opera
Around the U.S.
‘Lohengrin’ Once More Glides Onto Met Stage, In Blaze Of Vocal Glory
Susan Brodie
-
February 28, 2023
Around the U.S.
‘The Hours,’ New Opera Based On Woolf Novel, Maybe Just Needs Time
Leslie Kandell
-
December 2, 2022
Issues in the Arts
Verdi’s ‘Don Carlo(s)’ Given Both Treatments In New York, Chicago
David Shengold
-
November 17, 2022
Around the U.S.
Allan Clayton Probes Storm-Tossed Soul As The Met’s Peter Grimes
James L. Paulk
-
October 18, 2022
Around the U.S.
Met’s ‘Idomeneo’ Revival Displays Lasting Charm Of A Ponnelle Classic
David Shengold
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September 30, 2022
Around the U.S.
Opera ‘Hamlet’: Fewer Words, Words, Words; Yet Not To Be Missed
David Shengold
-
May 15, 2022
Around the U.S.
‘Lucia’ In The Rust Belt: Met Abandons Scotland And Scores A Gritty Hit
James L. Paulk
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April 25, 2022
Around the U.S.
Met’s ‘Eugene Onegin’ Mires Fine Singing In Swamp Of Busy Excess
David Shengold
-
March 28, 2022
Around the U.S.
Weimar-Era ‘Rigoletto’ Accents A Dark Tragedy With Luminous Singing
David Patrick Stearns
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January 3, 2022
Around the U.S.
Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place
Susan Brodie
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November 30, 2021
Around the U.S.
Met’s ‘Meistersinger’: An Uneven Return To Time-Worn Tradition
David Shengold
-
October 29, 2021
Around the U.S.
In A Visceral First, Met Opens With Black Opera About Child Sex Abuse
David Patrick Stearns
-
September 29, 2021
Uncategorized
Streaming Music: Like Concertgoing, Sans A Few Details
Arthur Kaptainis
-
May 13, 2020
Around the U.S.
Met’s New Launch Of Wagner Classic Slow To Catch Sail
David Patrick Stearns
-
March 5, 2020
Around the U.S.
DiDonato Sparkles In Voice And Style As Met’s Agrippina
David Shengold
-
February 8, 2020
Around the U.S.
New Met ‘Wozzeck:’ Nightmare Descent Into Stark Madness
Vivien Schweitzer
-
December 28, 2019
Around the U.S.
‘Akhnaten’ Makes Beguiling Impact In Vivid Met Debut
David Patrick Stearns
-
November 11, 2019
Around the U.S.
Met’s New ‘Porgy’ Is Lavish, Stylized, Propulsive Staging
Susan Brodie
-
September 26, 2019
Around the U.S.
Met ‘Ring’ Redux: Fresh Cast, Same Debated ‘Machine’
Matthew Gurewitsch
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May 8, 2019
Around the U.S.
Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ilana Walder-Biesanz
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April 10, 2019
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