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Classical Voice North America
About
Join
Contact
Donate
Around the U.S.
Vocalist, String Quartet Give Schubert A Shuffle And Turn Up All…
‘Omar,’ Operatic Portrait Of An Enslaved Scholar, Proves Staying Power
Eclectic Ukrainian Band Blends World Of Styles Into Musical Quilt Work
Master Of The Theorbo And A Dazzling Vocalist Polish Baroque Gems
Malcolm X Opera Vital Sign Of Met’s Resolve To Embrace Diversity
Canada
‘Walküre,’ shrunk to fit compact opera house, still an exhilarating ride
Presto! (Or Andante): Between Competitions, A Festival Works Magic
How Suite It Is, Or Six Flourishes For Trumpet From Master…
Mega Flourish Of Horns Lifts ‘Alpine Symphony’ At Canadian Music Fest
Joplin’s ‘Treemonisha’ Revived In Canada With A Freshening Makeover
World
‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful
Ridiculous Virtuosity: Modern-Music Troupe Crackles And Dazzles
(Re)imagine That! Beloved Musicals Given New Gloss For New Age
Adams’ ‘Short Ride,’ Like Rest Of Sizzling Concert Fare, Gets Short…
Festival Operas Pegged To Yesteryear; Concerts Come Up To Yesterday
Digital
You’re Doin’ Completely Fine, Oklahoma! (On CD That’s Not So Complete)
Pianist Spans Centuries On CD Featuring Music By Female Composers
Slow Food For Thought: Late Beethoven Quartet Mulled At A Snail’s…
Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
Perspectives
As The Emerson Exits, Several Fine Quartets Are Poised To Ascend
Heggie’s Opera Bounty And Diversity Mirrored In Swell Of Productions
Tapping Into Music As Unconscious Chronicle Of Post-Holocaust Era
Thomas Schippers Bio Explores Art, Glamour Of A Meteoric Maestro
Portrait Of A Composer Still Living Tradition Of Elgar, Vaughan Williams
Our Critics’ Picks
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Home
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Metropolitan Opera
Tag: Metropolitan Opera
Amazon Opera Journey Widens Met’s Embrace (With Guilty Pleasures)
Susan Brodie
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November 20, 2023
Malcolm X Opera Vital Sign Of Met’s Resolve To Embrace Diversity
Rick Perdian
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November 6, 2023
Heggie’s Opera Bounty And Diversity Mirrored In Swell Of Productions
Matthew Gurewitsch
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September 28, 2023
Met’s All-New ‘Flute’ Spins Mozart Forward To Freshening Present
David Patrick Stearns
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May 23, 2023
New ‘Giovanni’ At Met: Grim And Grinding, And Dramatically Top-Notch
Susan Brodie
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May 8, 2023
A Different Ring Opera Also Finds A Matchless Hero Cursed By...
Susan Brodie
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April 12, 2023
‘Lohengrin’ Once More Glides Onto Met Stage, In Blaze Of Vocal...
Susan Brodie
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February 28, 2023
‘The Hours,’ New Opera Based On Woolf Novel, Maybe Just Needs...
Leslie Kandell
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December 2, 2022
Verdi’s ‘Don Carlo(s)’ Given Both Treatments In New York, Chicago
David Shengold
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November 17, 2022
Allan Clayton Probes Storm-Tossed Soul As The Met’s Peter Grimes
James L. Paulk
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October 18, 2022
Met’s ‘Idomeneo’ Revival Displays Lasting Charm Of A Ponnelle Classic
David Shengold
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September 30, 2022
Opera ‘Hamlet’: Fewer Words, Words, Words; Yet Not To Be Missed
David Shengold
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May 15, 2022
‘Lucia’ In The Rust Belt: Met Abandons Scotland And Scores A...
James L. Paulk
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April 25, 2022
Met’s ‘Eugene Onegin’ Mires Fine Singing In Swamp Of Busy Excess
David Shengold
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March 28, 2022
Weimar-Era ‘Rigoletto’ Accents A Dark Tragedy With Luminous Singing
David Patrick Stearns
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January 3, 2022
Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place
Susan Brodie
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November 30, 2021
Met’s ‘Meistersinger’: An Uneven Return To Time-Worn Tradition
David Shengold
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October 29, 2021
In A Visceral First, Met Opens With Black Opera About Child...
David Patrick Stearns
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September 29, 2021
Streaming Music: Like Concertgoing, Sans A Few Details
Arthur Kaptainis
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May 13, 2020
Met’s New Launch Of Wagner Classic Slow To Catch Sail
David Patrick Stearns
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March 5, 2020
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