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Classical Voice North America
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Around the U.S.
Early Menotti Comedy Accents Stage Offering At Diverse Spoleto Fest
After 20 Magic Years, James Conlon To Exit LA Opera With…
Worlds And Time Apart, Works Of Two Cultures Create Concert Bridge
That’s A Wrap: Dudamel Closes His LA Run With A Spectacular…
‘The Post Office,’ Opera Tied To Gay Issues, Has Ring Of…
Canada
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
World
Rossini’s ‘Viaggio,’ Buoyed By Slapstick, Burdened By Baggage
Athens State Orchestra Plays Concert Honoring U.S. Semiquincentennial
Proto-AI In A Music Box: Mystic Schreker Opera Receives Vibrant Revival
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Digital
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Taking On Prokofiev With Pianistic Means, But Wit Waxes, Wanes
5 Winds Caress Legacy Of Nadia Boulanger And Her Musical Progeny
Perspectives
Chicago-Based Critic Hannah Edgar Named Winner Of Littler Prize
Sea To Shining Sea: New Music To Brighten America’s Celebrations
A Storyteller Of Parts, He’s Everyman’s Entree To Trove Of Great…
After Long Directorship, Venerable Festival Likes Playing It Year By Year
Post-Minimalist Threads Reveal Wide Range Of Influence On New Music
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Around the U.S.
Met ‘Ring’ Redux: Fresh Cast, Same Debated ‘Machine’
Matthew Gurewitsch
-
May 8, 2019
Around the U.S.
Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ilana Walder-Biesanz
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April 10, 2019
Around the U.S.
‘Adriana Lecouvreur’ (Or Cilea’s Comet) Blazes In Met Sky
David Patrick Stearns
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January 2, 2019
Around the U.S.
Gustavo Dudamel Debuts At Met With Lively ‘Otello’
David Shengold
-
December 17, 2018
Around the U.S.
Yannick Salvages Met’s Garish New Take On ‘Traviata’
Vivien Schweitzer
-
December 7, 2018
Around the U.S.
Muhly’s ‘Marnie:’ Fresh, Fascinating Despite Its Flaws
James L. Paulk
-
October 24, 2018
Around the U.S.
Met’s New ‘Samson’ Is Great Spectacle Shorn Of Passion
James L. Paulk
-
September 28, 2018
Around the U.S.
Amusement Park ‘Così’ Embraces Glitz Over Heart
James L. Paulk
-
March 19, 2018
Around the U.S.
New ‘Tosca’ Launch At Met Survives Sweeping Exodus
Susan Brodie
-
January 1, 2018
Around the U.S.
Adès’ ‘Angel’ Blazes In Party From Hell: No One Can Leave
David Shengold
-
October 30, 2017
Around the U.S.
New ‘Norma’ Surges With Star Power, But Lighting’s Dim
James L. Paulk
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September 27, 2017
Around the U.S.
Shower Of Roses For Nézet-Séguin’s ‘Dutchman’ At Met
Susan Brodie
-
April 28, 2017
Around the U.S.
Poignancy In Tune As Fleming Closes A Marschallin Era
James L. Paulk
-
April 17, 2017
Around the U.S.
New Met ‘Rusalka’ Reflects Tradition In Surreal Images
James L. Paulk
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February 6, 2017
Around the U.S.
Grigolo, Damrau Radiant As Met’s Star-Crossed Duo
Susan Elliott
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January 3, 2017
Around the U.S.
Saariaho, Mälkki Feel Met Love In Historic ‘L’Amour’
Vivien Schweitzer
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December 3, 2016
Around the U.S.
‘Guillaume Tell’: Met Brings That Apple To A Vocal Polish
James L. Paulk
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October 25, 2016
Around the U.S.
Levine’s Rossini Lifted By Italian Cast As ‘L’italiana’
David Shengold
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October 9, 2016
Around the U.S.
Met’s New ‘Tristan’ Sets Bright Voices Against Dark View
Susan Brodie
-
September 28, 2016
Around the U.S.
Completing Triple, Radvanovsky Regal In Met’s ‘Devereux’
James L. Paulk
-
March 30, 2016
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