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Classical Voice North America
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Around the U.S.
Adams Piano Concerto: Emblem Of Americana Amid All-American Fare
NASA’s Golden Record, Dash Of Ligeti Help Give Dance Event A…
In Mixed Bag At NY Phil, Adès Caps Concert With Gloomy…
Concert ‘Daphne’ Etches Beauty, Dramatic Power Of Strauss Opera Rarity
Choral Guru Rutter, 80, Celebrates His Birthday In U.S. With Royal…
Canada
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
World
Chamber Music Offers Welcome Respite From Hong Kong Hurly-Burly
Autumn Fest Celebrates Artistic Innovation With Zeal Of A Rite Of…
‘Cosi’ As Reality Show, Rare Donizetti Updated (With A Pregnant Pause)
Strauss Junior At 200: Soul Of A City, Emblem Of Era…
Across Pair Of Concerts And 4,800 Miles, Japan Links Up With…
Digital
New Recording Displays Sensual Component In David Lang’s Choral Art
A New Coleridge-Taylor Discovered, Composer Worthy Of Her Father
Revitalizing Light Falls On Neglected Works Of Romantic Master Hiller
Adès Opera, Recycled As Symphony, Headlines A Terse Minnesota CD
Choral Recording Series Spotlights 13 Women Composers Of Canada
Perspectives
Joan Tower, 87, Joins Gail Wein’s Podcast For Remarkable Look Back
2,700 Insights: CVNA’s Expert Reviews Deliver World Of Music To You
Opera As Battleground: Author Sees Lyric Stage In Never-Ending Struggle
As Season Winds Down, Spirit Of The New Buoys South American…
Conjuring Varèse In 100 Flute Commissions, On ‘Classical Gas’ Podcast
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Around the U.S.
‘The Hours,’ New Opera Based On Woolf Novel, Maybe Just Needs Time
Leslie Kandell
-
December 2, 2022
Perspectives
Verdi’s ‘Don Carlo(s)’ Given Both Treatments In New York, Chicago
David Shengold
-
November 17, 2022
Around the U.S.
Allan Clayton Probes Storm-Tossed Soul As The Met’s Peter Grimes
James L. Paulk
-
October 18, 2022
Around the U.S.
Met’s ‘Idomeneo’ Revival Displays Lasting Charm Of A Ponnelle Classic
David Shengold
-
September 30, 2022
Around the U.S.
Opera ‘Hamlet’: Fewer Words, Words, Words; Yet Not To Be Missed
David Shengold
-
May 15, 2022
Around the U.S.
‘Lucia’ In The Rust Belt: Met Abandons Scotland And Scores A Gritty Hit
James L. Paulk
-
April 25, 2022
Around the U.S.
Met’s ‘Eugene Onegin’ Mires Fine Singing In Swamp Of Busy Excess
David Shengold
-
March 28, 2022
Around the U.S.
Weimar-Era ‘Rigoletto’ Accents A Dark Tragedy With Luminous Singing
David Patrick Stearns
-
January 3, 2022
Around the U.S.
Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place
Susan Brodie
-
November 30, 2021
Around the U.S.
Met’s ‘Meistersinger’: An Uneven Return To Time-Worn Tradition
David Shengold
-
October 29, 2021
Around the U.S.
In A Visceral First, Met Opens With Black Opera About Child Sex Abuse
David Patrick Stearns
-
September 29, 2021
Uncategorized
Streaming Music: Like Concertgoing, Sans A Few Details
Arthur Kaptainis
-
May 13, 2020
Around the U.S.
Met’s New Launch Of Wagner Classic Slow To Catch Sail
David Patrick Stearns
-
March 5, 2020
Around the U.S.
DiDonato Sparkles In Voice And Style As Met’s Agrippina
David Shengold
-
February 8, 2020
Around the U.S.
New Met ‘Wozzeck:’ Nightmare Descent Into Stark Madness
Vivien Schweitzer
-
December 28, 2019
Around the U.S.
‘Akhnaten’ Makes Beguiling Impact In Vivid Met Debut
David Patrick Stearns
-
November 11, 2019
Around the U.S.
Met’s New ‘Porgy’ Is Lavish, Stylized, Propulsive Staging
Susan Brodie
-
September 26, 2019
Around the U.S.
Met ‘Ring’ Redux: Fresh Cast, Same Debated ‘Machine’
Matthew Gurewitsch
-
May 8, 2019
Around the U.S.
Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ilana Walder-Biesanz
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April 10, 2019
Around the U.S.
‘Adriana Lecouvreur’ (Or Cilea’s Comet) Blazes In Met Sky
David Patrick Stearns
-
January 2, 2019
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