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Classical Voice North America
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Around the U.S.
Weimar-Era ‘Rigoletto’ Accents A Dark Tragedy With Luminous Singing
Carols Solemn, Joyous, And A Beat Ahead Of The Omicron Humbug
Taking Hike In The Park (Or Memory Lane Stroll) With An…
A ‘Messiah’ As Theater, Where Historical Style Meets Modern Staging
LA Phil Tops Off Bold, Inclusive Autumn With Splash Of New…
Canada
‘St. John Passion’ For 1: Busy Tenor Sings It All; He…
Scaled Back, Brahms’ ‘German Requiem’ Still Makes Its Grand Effect
In Gala-Salad Program, Orchestra Dishes Up Return To Concert Life
New Montreal Maestro Shows Flair For Basics (But Maybe Not French)
Far-Flung String Players Converge (Virtually) For A Festival Homecoming
World
Quest For Piano Leads Writer To Adventures, Stories Across Siberia
Callas, Resurrected, Dies Again (And Again) In Seven Famous Roles
Toasts And Standing O: Berliners Citywide Hail Live Music’s Renewal
Festival Drama Is Ode To Human Resilience In Face Of Human…
Juilliard Turns Table, Creates Splendid New Music School in China
Digital
Big Box Of Orpheus CDs Chronicles An Ensemble Sans Leader, Sans…
Directorship Extended, Honeck Shows Affinity For Pittsburgh On CD
Elgar’s Violin Concerto Twice: The Long And Far From Short Of…
Canadian Guitarist’s Art On Generous Display In Disc Of Her Own…
At Desert Crossroads, Stage And Film Collide In An Opera Miniseries
Perspectives
Richard Freed, Noted Music Journalist And Annotator, Dies At 93
A Ring Of Authenticity: ‘Das Rheingold’ Played On Period Instruments
Remembering Steve: The Sky-Filling Giant That Was Sondheim
Black Music Project Bolsters Case For Shift In Concert Repertoire
Bernard Haitink: Master Of Mahler And Bruckner Left Indelible Memories
Our Critics’ Picks
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
Blaze Of Fanfares, With A Solo Twist, Recaptures Legacy
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Der Rosenkavalier
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Der Rosenkavalier
Around the U.S.
Poignancy In Tune As Fleming Closes A Marschallin Era
James L. Paulk
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April 17, 2017
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