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Classical Voice North America
About
Join
Contact
Donate
Around the U.S.
Early Italian Cembalo Inspires Modern Copy And American Debut
A ‘Rheingold’ Premiere, Creative And Gleaming, Hints At Possible ‘Ring’
New ‘Giovanni’ At Met: Grim And Grinding, And Dramatically Top-Notch
Fairies And Foolishness As G&S Romp ‘Iolanthe’ Lights Up Carnegie Hall
When AC Fails, Concert Spotlighting Steel Pan Only Turns Up The…
Canada
Beatrice Rana Fuses Ferocity And Beauty In ‘Hammerklavier’ Sonata
A Throwback Concert Recalls Triumvirate Of 2nd Viennese School
‘Fragments’ For Cello: Random Bach, New Bits All Add Up To…
A Hundred Musicians, One Glorious Sound: Chicago’s Grand Band
With Canadian Premiere Of ‘Jobs,’ Opera House Buffs Modernist Profile
World
In Handy Church Ruin, Verdi’s ‘Macbeth’ Finds Its All-Purpose Setting
On Tour Down Under, British String Quartet Meets The Didgeridoo
Honoring Callas At 100, Greek Opera Restages Her Signature ‘Medea’
Monteverdi’s Wandering ‘Ulisse’ Returns Home To An Updated Scene
‘Le Nozze’ Annulled: Mozart’s Perfect Opera Gets A Rough Makeover
Digital
Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
In Music Of Our Time, Venerable Harpsichord Speaks In New Accents
17th-Century Blossoms Strewn By The Handful: Music For Triple Harp
Gods Behaving Badly, But Stylishly, Ignite CD Of French Opera Rarity
Perspectives
Taiwan Philharmonic’s U.S. Tour Underscored By Promise Of Passion
Kirchner Letters Paint Composer As Fierce, Inspiring Intellectual
Regional Orchestras 2: Blazing New Pathways In Washington, Oregon
Regional Orchestras 1: After Covid, A Renewed Commitment To Music
Tamino From The Past Recalls A Magical Trek Across Stages Of…
Our Critics’ Picks
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
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Daniel Barenboim
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Daniel Barenboim
International
Separate Stages, Two Results For Myths As Opera
Rebecca Schmid
-
April 4, 2019
Around the U.S.
Humane Vision: Crucible For Arab, Israeli Musicians
Lawrence B. Johnson
-
November 8, 2018
International
Worst Mom Goes Mad, In French, At The Staatsoper
Rebecca Schmid
-
October 11, 2018
International
‘Falstaff’ Updated, With Sir John As Berlin Gang Boss
Rebecca Schmid
-
March 29, 2018
International
Dreamy ‘Juliette’ Weaves A Spell In Berlin Debut
Rebecca Schmid
-
June 1, 2016
International
‘Orfeo ed Euridice’: Music Transcends A Deathly Concept
Rebecca Schmid
-
March 21, 2016
International
Barenboim Hails Schoenberg At Musikfest Berlin
Rebecca Schmid
-
September 10, 2015
Disc and Stream
In Piano Duets, Schubert Sings, ‘Rite’ Isn’t Quite
Robert Battey
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December 19, 2014
International
In Vienna, Heady Mix of Messiaen, Boulez, Schubert
Matthew Gurewitsch
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November 4, 2014
International
In Berlin, ‘Hélène’ Not So Belle And ‘Tosca’ Is Teutonic
Rebecca Schmid
-
October 17, 2014
International
Dresden Festival Soaring Sky High With Eclectic Mix
Paul Hyde
-
July 3, 2014
Around the U.S.
To Visitor’s Ears, Chicago SO’s Hall Detailed, Coherent
Richard S. Ginell
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June 28, 2014
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