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Classical Voice North America
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Join
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Around the U.S.
A Concert Of Beethoven And Sermons, And Both Rise To Their…
An Ineffable Tone Poem Captures How Wildfire Consumed Small Town
Met’s ‘Meistersinger’: An Uneven Return To Time-Worn Tradition
From Challenging Bits Of ‘Mosaic,’ Dinnerstein Fashions Whole Cloth
Chamber-Scaled Return To Normalcy Sets Tone At An Open-Bar Concert
Canada
Scaled Back, Brahms’ ‘German Requiem’ Still Makes Its Grand Effect
In Gala-Salad Program, Orchestra Dishes Up Return To Concert Life
New Montreal Maestro Shows Flair For Basics (But Maybe Not French)
Far-Flung String Players Converge (Virtually) For A Festival Homecoming
In Virtual Competition, 26 Pianists Vie From Keyboards Flung Afar
World
Quest For Piano Leads Writer To Adventures, Stories Across Siberia
Callas, Resurrected, Dies Again (And Again) In Seven Famous Roles
Toasts And Standing O: Berliners Citywide Hail Live Music’s Renewal
Festival Drama Is Ode To Human Resilience In Face Of Human…
Juilliard Turns Table, Creates Splendid New Music School in China
Digital
Big Box Of Orpheus CDs Chronicles An Ensemble Sans Leader, Sans…
Directorship Extended, Honeck Shows Affinity For Pittsburgh On CD
Elgar’s Violin Concerto Twice: The Long And Far From Short Of…
Canadian Guitarist’s Art On Generous Display In Disc Of Her Own…
At Desert Crossroads, Stage And Film Collide In An Opera Miniseries
Perspectives
Bernard Haitink: Master Of Mahler And Bruckner Left Indelible Memories
Under Diversity Banner, Sphinx Virtuosi Concert To Celebrate Progress
Opera Is Back – Hooray! As For The Rude Voice That…
Bernstein’s Mass, Once Written Off, Now Enjoys Embrace Of A New…
From Music’s Dim Past, Rediscovered Songbook Casts Telling New Light
Our Critics’ Picks
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
Blaze Of Fanfares, With A Solo Twist, Recaptures Legacy
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Daniel Barenboim
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Daniel Barenboim
International
Separate Stages, Two Results For Myths As Opera
Rebecca Schmid
-
April 4, 2019
Around the U.S.
Humane Vision: Crucible For Arab, Israeli Musicians
Lawrence B. Johnson
-
November 8, 2018
International
Worst Mom Goes Mad, In French, At The Staatsoper
Rebecca Schmid
-
October 11, 2018
International
‘Falstaff’ Updated, With Sir John As Berlin Gang Boss
Rebecca Schmid
-
March 29, 2018
International
Dreamy ‘Juliette’ Weaves A Spell In Berlin Debut
Rebecca Schmid
-
June 1, 2016
International
‘Orfeo ed Euridice’: Music Transcends A Deathly Concept
Rebecca Schmid
-
March 21, 2016
International
Barenboim Hails Schoenberg At Musikfest Berlin
Rebecca Schmid
-
September 10, 2015
Disc and Stream
In Piano Duets, Schubert Sings, ‘Rite’ Isn’t Quite
Robert Battey
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December 19, 2014
International
In Vienna, Heady Mix of Messiaen, Boulez, Schubert
Matthew Gurewitsch
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November 4, 2014
International
In Berlin, ‘Hélène’ Not So Belle And ‘Tosca’ Is Teutonic
Rebecca Schmid
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October 17, 2014
International
Dresden Festival Soaring Sky High With Eclectic Mix
Paul Hyde
-
July 3, 2014
Around the U.S.
To Visitor’s Ears, Chicago SO’s Hall Detailed, Coherent
Richard S. Ginell
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June 28, 2014
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