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Classical Voice North America
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Around the U.S.
Exploring New Music, Tanglewood Ensembles Serve Up Bountiful Mix
Suddenly This Summer: Tennessee Williams On Opera Bill With Strauss
Modernist Staging Taps Brilliance, Wit, Fun Of Offbeat Rossini Opera
Set In Nature’s Realm, Fueled By Imagination, Music Festival Thrives
Italian Opera’s Historic First Flowering In NY, Recaptured With Flair
Canada
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
World
Very Today ‘Walküre,’ Penderecki Celebration Highlight Baltic Festival
Paris’ Musical Culture Showcases Its Splendor In A Time Of Transition
London Zeal For Music Tells As Crowds Cheer ‘Peter Grimes,’ Wagner
Rossini’s ‘Cenerentola,’ Centuries-Late Premiere Reward Paris Excursion
‘Ancient Mariner’ Redux: Violist As Narrator, And Thirsting For Real Depth
Digital
In A Recording Profile, Music Of Many Faces Has Snapshot Moment
Beckett’s ‘Endgame’ Gets An Operatic Spin As Wry As The Original
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Perspectives
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
Silver Screen Concert Reflects Starring Roles For Women Composers
The Battle Of Boston: Critic’s Words Resound In ‘Defending The Music’
100 Years Ago, Electric Recording Injected New Spark In Music’s Legacy
Composers Coach Talks Art Of Nurturing Youth On New ‘Classical Gas’
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International
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Rebecca Schmid
-
February 17, 2026
International
‘Tannhäuser’ Twice: Seduction, Deliverance In Vienna And Geneva
Klaus Billand
-
October 20, 2025
Perspectives
Double Dealing: Sharp Contrast In Two Takes On ‘Queen Of Spades’
James L. Paulk
-
July 8, 2025
International
In Polished Simplicity, ‘Ring’ Cycle Reflects Heroic Performances
James L. Paulk
-
July 3, 2025
International
After A Long Absence, Tchaikovsky’s ‘Iolanta’ Makes Colorful Return
Rebecca Schmid
-
April 2, 2025
International
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Rebecca Schmid
-
March 10, 2025
International
Monteverdi’s Wandering ‘Ulisse’ Returns Home To An Updated Scene
Rebecca Schmid
-
April 6, 2023
International
‘Le Nozze’ Annulled: Mozart’s Perfect Opera Gets A Rough Makeover
Rebecca Schmid
-
March 21, 2023
International
Staatsoper, Volksoper, And The Reframing Of Vienna’s Opera Legacy
Rebecca Schmid
-
December 15, 2022
International
Mahler Mashup ‘Opera’ Meets ‘Rigoletto’; Jester Wins, And It’s No Joke
Matthew Gurewitsch
-
November 8, 2022
Uncategorized
Opera Is Awaiting A Green Light On The Blue Danube
Rebecca Schmid
-
April 29, 2020
International
Woolf At The Door Of An Overstuffed House In ‘Orlando’
Rebecca Schmid
-
December 15, 2019
Disc and Stream
Electrifying Lady With Deadly Deal Revisits Via CD
Matthew Gurewitsch
-
May 28, 2018
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With Ghostly Clarity, Elusive Britten Opera Wafts Into Substance
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