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Classical Voice North America
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Around the U.S.
2 Off-The-Wall Operas, One Starring A Cello, One A Singing Dummy
‘The Shining’ As Opera Is Mad, Brutal, Tragic In A Horrifically…
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But…
Starry ‘Indigo Heaven’ Concerto Is Principal Clarinet’s Sparkle Time
Music Fest Summons Its Summer Warmth In The Intimacy Of Winter
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
World
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Digital
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
In An Exotic Travelogue, Wafting Down Silk Road With Oslo Wind…
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Richard Strauss
Tag: Richard Strauss
‘Salome’ Is Given A Risky, Risqué Spin In Spoleto Staging
James L. Paulk
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June 1, 2019
Strauss’ ‘Arabella’: Hidden Trove Of Seductive Beauty
Ilana Walder-Biesanz
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October 21, 2018
‘Dr. Atomic’ Reaches Ground Zero On New Mexico Stage
Keith Powers
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August 21, 2018
S.F. Opera ‘Elektra’ Shocks, Provokes, And Overwhelms
Janos Gereben
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September 12, 2017
Poignancy In Tune As Fleming Closes A Marschallin Era
James L. Paulk
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April 17, 2017
Visiting Viennese Affirm Heritage In Schubert, Strauss
James L. Paulk
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March 2, 2017
Palette Of Love Is Noir, Blue & Gray At Santa Fe...
James L. Paulk
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August 3, 2016
Stellar Stemme Heads Chéreau ‘Elektra’ at Met
David Shengold
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April 15, 2016
New Higdon Opera Taps Into Personal Cost Of Civil War
Paul Hertelendy
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August 19, 2015
Twist Upon Twist, ‘Elektra’ Reshaped At Bavarian Opera
Jason Victor Serinus
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May 19, 2015
You Can Tell, Just By Looking, She’s Planning A Heist
Leslie Kandell
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February 25, 2015
Honoring Strauss, Concert Puts Spin On Metamorphosis
Mike Greenberg
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February 20, 2015
Racette’s Salome Puts Lurid Seal On Opera San Antonio
Diane Windeler
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January 15, 2015
Stellar DVD Set Offers Cavalcade Of Strauss Operas
Paul Robinson
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January 13, 2015
San Francisco SO Ives-Kubrick Fete Bizarre, Well Knit
Jeff Dunn
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September 29, 2014
Updating Strauss: Daphne In Denim, Up A Wall St. Tree
Susan Brodie
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September 16, 2014
‘American Tragedy,’ In Trimmed Form, Still Lacks Edge
George Loomis
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August 8, 2014
MCANA Reports: Strauss Leads The Way At 2014 Dresden Music Festival
admin
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July 21, 2014
Venerable Leipzig Orchestra Upholds Its Historic Image
William Littler
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July 4, 2014
Strauss’ ‘Feuersnot’ Rings Authentic In Al Fresco Staging
Rebecca Schmid
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June 12, 2014
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Classical Voice North America