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New ‘Norma’ Surges With Star Power, But Lighting’s Dim

James L. Paulk -

Shower Of Roses For Nézet-Séguin’s ‘Dutchman’ At Met

Susan Brodie -

Poignancy In Tune As Fleming Closes A Marschallin Era

James L. Paulk -

New Met ‘Rusalka’ Reflects Tradition In Surreal Images

James L. Paulk -

Grigolo, Damrau Radiant As Met’s Star-Crossed Duo

Susan Elliott -

Saariaho, Mälkki Feel Met Love In Historic ‘L’Amour’

Vivien Schweitzer -

‘Guillaume Tell’: Met Brings That Apple To A Vocal Polish

James L. Paulk -

Levine’s Rossini Lifted By Italian Cast As ‘L’italiana’

David Shengold -

Met’s New ‘Tristan’ Sets Bright Voices Against Dark View

Susan Brodie -

Completing Triple, Radvanovsky Regal In Met’s ‘Devereux’

James L. Paulk -

Met’s Quick Study Alagna Leaps Into Its ‘Manon Lescaut’

Leslie Kandell -

‘The Pearl Fishers’ Casts Impressive Net At The Met

Susan Brodie -

Extra Special: Evolving Role Of Supernumeraries

Barbara Jepson -

Opulent Setting For High-Stakes Quiz Show

Judith Malafronte -

Great Voices Rule As The Met Gives ‘Otello’ A New Face

James L. Paulk -

In Brief Encounter, Met Affectionately Recalls Noted Rake

Leslie Kandell -

Cav/Pag Miss/Hit In Met’s Debut Of McVicar Stagings

David Shengold -

You Can Tell, Just By Looking, She’s Planning A Heist

Leslie Kandell -

‘La donna del lago’ Makes A Belated Splash At The Met

Judith Malafronte -

LA Opera Conjures Corigliano’s ‘Ghosts’ And La Révolution

Richard S. Ginell -
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