Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
VIENNA – Upon Arnold Schoenberg’s 150th birthday, in the city where premieres of his music set off public scandals, the annual festival Wien Modern set out to consider the relationship between experimental scores and community.
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
TOKYO – Kornilios Michailidis captured the 2024 Tokyo International Conducting Competition with a heated turn in Shostakovich’s Tenth Symphony. British conductor Riley Court-Wood was runner-up in this superbly organized triennial event.
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech Premiere
PRAGUE – Jakub Hrůša led members of the Czech Philharmonic and Bamberg Symphony Orchestra on the exhibition grounds where the Seventh was first performed in 1908. Mahler's main language was German, but he was a native of Bohemia.
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
LUCERNE – A Rachmaninoff concert by the Lucerne Festival Orchestra under Riccardo Chailly hardly captured the composer, and a historically informed Walküre, brought from Dresden and led by Kent Nagano, seemed mainly an anomaly.
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
SALZBURG – This year’s Salzburg Festival boasts an impressive variety, from a new staging of Weinberg’s The Idiot, the summer's hit, to recitals and a concert treatment of Thomas’ opera Hamlet – in which the melancholy Dane is crowned king!
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
PARIS – Unheard at the Paris Opera since 1854, La vestale returned to the Bastille stage, entrusted to the fashionable, wildly imaginative American-born director Lydia Steier. She and dramaturg Olaf A. Schmitt clearly felt unbound by the original story.
On Small Stage, British ‘Ring’ Cycle Scores Big On Imagination, Quality
MORETON-IN-MARSH, U.K. – The Longborough Festival, an upstart opera company located west of London, has pulled off a seriously professional effort in a 500-seat house. Anthony Negus led a fine, mostly British cast and a 60-piece orchestra.
Puccini Opera Marathon, Romanian Style, Honors Centennial Of His Death
BUCHAREST – While opera companies worldwide have acknowledged this year's centennial of the composer's death, the Bucharest Opera Festival presented eight staged productions and other events with 1,500 vocal and auxiliary participants.
‘Thrill Of A Lifetime’: Critic As Chorister Sings Bach At Leipzig Festival
LEIPZIG – The author, a regular contributor to Classical Voice North America, grew up singing in church choirs. He is a member of the Bach Cantata Choir of Portland, Ore., one of five U.S. choral groups invited to Leipzig's 2024 Bachfest.
In Grotesque ‘Salome,’ Lise Davidsen Leaves Marker For The Ages
PARIS – Even within director Lydia Steier's lurid concept of sensation for sensation's sake, Davidsen's stratospheric performance affirmed her place as the peerless soprano of her time in a diva legacy extending from Callas to Sutherland.
Maestro Takes A Stand With Frenetic Bruckner (Musicians Stand, Too)
BERLIN – With his own orchestra called Utopia, 112 players from 20 countries including Russia and Ukraine, Teodor Currentzis led the mostly standing troupe in an assault on Bruckner's Ninth that left no room for spiritual transcendence.
Focus On Bright Stars, Ambitious Arts Festival Creates A Constellation
ADELAIDE – To offset other risks, the venerable Adelaide Arts Festival offered two shows directed by favorites of the annual event, Robert Lepage's treatment of Stravinsky's The Nightingale and Barrie Kosky's setting of The Threepenny Opera.
Hardly April, But Opera Displays Its Revitalizing Blooms In City Of Light
PARIS – In an era when so many opera companies are struggling to fill seats and dialing back risk, it was salutary to see very fine Paris Opera offerings of Bellini's Beatrice di Tenda (right), Verdi's La traviata, and Handel's Giulio Cesare in one week.
Trip To Greek Homeland Mingles Nostalgia With A Fierce ‘Lady Macbeth’
ATHENS – As a native of Greece who has lived abroad for more than half of his life, this writer always gets a particular feeling being back amid the intimacy of Greek musical institutions, this time to witness Shostakovich's raw satire.
Aussies Around Globe Gather As All-Stars For An Ardent Mahler Ninth
SYDNEY – The Australian World Orchestra consists of Australians from distant points who meet annually in their homeland. This year, founding conductor Alexander Briger presided over a blood-on-the-floor performance of Mahler.
Vocal Fireworks Abound As Visiting Critic Revels In The Glories Of Madrid
MADRID – The Teatro Real lived up to its splendid reputation as an innovative, important company. After a stimulating week, one might even argue the renovated theater has surpassed Barcelona's Gran Teatre de Liceu as Spain's opera showplace.
‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful
BARCELONA – With Julia Bullock restored to her intended role, John Adams' Shakespearean opera on the ill-starred affair between the Roman general and the Egyptian queen was more gripping here than in the San Francisco premiere.
Ridiculous Virtuosity: Modern-Music Troupe Crackles And Dazzles
AMSTERDAM – The Netherlands' Asko|Schönberg ensemble, a multi-instrumental powerhouse, displayed its stylistic dexterity and exceptional ability to respond to any challenge in a concert featuring a world premiere at the Concertgebouw.
(Re)imagine That! Beloved Musicals Given New Gloss For New Age
LONDON – An exhibition exploring how classic musicals have been adapted, together with three vibrant productions, demonstrated how gifted directors can make familiar favorites fresh again while honoring the original creators' intentions.
Adams’ ‘Short Ride,’ Like Rest Of Sizzling Concert Fare, Gets Short Shrift
SYDNEY – On paper, the Sydney Symphony Orchestra program promised a night of fireworks: John Adams' Short Ride in a Fast Machine, Wynton Marsalis' Violin Concerto (with Nicola Benedetti), and Stravinsky's Firebird Suite. The plan fizzled.