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Classical Voice North America
About
Join
Contact
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Around the U.S.
Early Italian Cembalo Inspires Modern Copy And American Debut
A ‘Rheingold’ Premiere, Creative And Gleaming, Hints At Possible ‘Ring’
New ‘Giovanni’ At Met: Grim And Grinding, And Dramatically Top-Notch
Fairies And Foolishness As G&S Romp ‘Iolanthe’ Lights Up Carnegie Hall
When AC Fails, Concert Spotlighting Steel Pan Only Turns Up The…
Canada
Beatrice Rana Fuses Ferocity And Beauty In ‘Hammerklavier’ Sonata
A Throwback Concert Recalls Triumvirate Of 2nd Viennese School
‘Fragments’ For Cello: Random Bach, New Bits All Add Up To…
A Hundred Musicians, One Glorious Sound: Chicago’s Grand Band
With Canadian Premiere Of ‘Jobs,’ Opera House Buffs Modernist Profile
World
In Handy Church Ruin, Verdi’s ‘Macbeth’ Finds Its All-Purpose Setting
On Tour Down Under, British String Quartet Meets The Didgeridoo
Honoring Callas At 100, Greek Opera Restages Her Signature ‘Medea’
Monteverdi’s Wandering ‘Ulisse’ Returns Home To An Updated Scene
‘Le Nozze’ Annulled: Mozart’s Perfect Opera Gets A Rough Makeover
Digital
Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
In Music Of Our Time, Venerable Harpsichord Speaks In New Accents
17th-Century Blossoms Strewn By The Handful: Music For Triple Harp
Gods Behaving Badly, But Stylishly, Ignite CD Of French Opera Rarity
Perspectives
Taiwan Philharmonic’s U.S. Tour Underscored By Promise Of Passion
Kirchner Letters Paint Composer As Fierce, Inspiring Intellectual
Regional Orchestras 2: Blazing New Pathways In Washington, Oregon
Regional Orchestras 1: After Covid, A Renewed Commitment To Music
Tamino From The Past Recalls A Magical Trek Across Stages Of…
Our Critics’ Picks
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
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Verdi
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Verdi
International
In Handy Church Ruin, Verdi’s ‘Macbeth’ Finds Its All-Purpose Setting
Arthur Kaptainis
-
May 4, 2023
Around the U.S.
Verdi’s ‘Nabucco:’ Blood, Thunder And Grand Singing
Arthur Kaptainis
-
March 5, 2019
Disc and Stream
De Sabata CD Set Proves Conductor Giant Of His Time
Paul Robinson
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July 18, 2018
Around the U.S.
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
International
‘Falstaff’ Updated, With Sir John As Berlin Gang Boss
Rebecca Schmid
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March 29, 2018
Around the U.S.
Zambello’s ‘Aida’ Offers Rare Look Into Opera’s Heart
Janos Gereben
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November 9, 2016
Around the U.S.
Old-School Muti Touches Poignant Heart Of ‘Falstaff’
Nancy Malitz
-
April 25, 2016
Around the U.S.
French ‘Don Carlos’ Another Coup For Grand Verdi Cycle
Arthur Kaptainis
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March 11, 2015
Around the U.S.
SF Opera Extends Long History Of Triumphs In ‘Ballo’
Robert P. Commanday
-
October 13, 2014
Around the U.S.
As Lady Macbeth At Met, Netrebko Fearless Sensation
Susan Brodie
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September 26, 2014
Around Canada
In Montreal’s Fine ‘Nabucco,’ Thoughts Fly To Curious Set
Earl Arthur Love
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September 26, 2014
International
European Opera Trek: Refreshment In Shock And Awe
Susan Brodie
-
June 6, 2014
Around the U.S.
Verdi Champions Chorus Case For His Early Operas
Lawrence B. Johnson
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March 19, 2014
Around the U.S.
Sarasota ‘Jérusalem’ Puts Sharp Accent On Revised Verdi
Arthur Kaptainis
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March 12, 2014
Around the U.S.
Sarasota’s Verdi Crusade Advances With ‘Jérusalem’
John Fleming
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March 6, 2014
Disc and Stream
Muti Mulls Verdi As Chicago Cues Requiem Simulcast
Nancy Malitz
-
October 10, 2013
Around the U.S.
Summer Festivals: For New Yorkers, Musical Settings Urban and Verdant
Barbara Jepson
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June 1, 2013
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Classical Voice North America