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Classical Voice North America
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Around the U.S.
Chicago’s New Sheriff Preps Orchestral Force For Trek Across Europe
Intimacy Writ Large: Pacific Symphony’s New Maestro Unfurls Mahler
San Antonio Redux: New Orchestra, Fresh Vision For Music In Community
Recital Honors Robeson And Recalls Glory Days Of Greenwich Village
Rhythmic Pulse, Lyric Flight Swirl In Concert Exploring Movement(s)
Canada
Flamenco Singer Brings Accent Of Authenticity To Falla’s ‘Amor Brujo’
Star Beings And Quiet: Nézet-Séguin, His Band Rise Into A New…
Monteverdi’s ‘Orfeo,’ Semi-staged And Lean, With A Modernist Touch
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
World
Apocalypse, No: Just Two Tokyo Orchestras, One Fearsome Oratorio
Josephine Baker, Once Darling Of Paris Stage, Conjured In New Light
Virtuosity And Brevity Meet At Spirited Heart Of Clever Concert Fare
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises…
Very Today ‘Walküre,’ Penderecki Celebration Highlight Baltic Festival
Digital
One Complicated Life As Experimental Opera, Music By 10 Composers
Martinů’s Symphonies: Reveling In Variegated Garden Of Late Bloomer
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
LOUD Percussion Piece Migrates To Recording; Lose Those Earplugs
In A Recording Profile, Music Of Many Faces Has Snapshot Moment
Perspectives
Marian Anderson: Voice Of A Century Who Also Bore Discord Of…
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
As He Signs Off In LA, Gustavo Dudamel Can Claim Imposing…
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
Silver Screen Concert Reflects Starring Roles For Women Composers
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Matthew Aucoin
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Matthew Aucoin
Around the U.S.
NY’s Summer Festivals Offer Wide Appeal, And They’re Priced To Sell
Susan Brodie
-
July 15, 2025
Perspectives
A Cacophony Of Voices, Human And Planetary: Songs Of World As One
Katelyn Simone
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April 19, 2024
Around the U.S.
Myth Remade As Opera: Eurydice Rules The Tale, Leaves Orpheus For Dad
Keith Powers
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March 4, 2024
Around the U.S.
America’s Voices Ring Grand And Diverse In Premieres, Retrospect
David Shengold
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February 9, 2022
Around the U.S.
Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place
Susan Brodie
-
November 30, 2021
Around the U.S.
Eurydice Revisited: In A Dark Opera, Even Stones Sing
Rick Schultz
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February 5, 2020
Around the U.S.
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
Around the U.S.
Aucoin’s ‘Crossing’ Captures Whitman In Civil Love, War
James L. Paulk
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October 6, 2017
Around the U.S.
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
-
November 9, 2016
Around the U.S.
‘Nosferatu’ Arises From Silence In Opera Fright Night
Richard S. Ginell
-
November 2, 2016
Around the U.S.
There’s Always Room For (More And More) Cellos
Richard S. Ginell
-
May 20, 2016
Around the U.S.
Paul Appleby Animates Fresh Aucoin Cycle
Susan Elliott
-
March 23, 2016
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