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Classical Voice North America
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Around the U.S.
Worlds And Time Apart, Works Of Two Cultures Create Concert Bridge
That’s A Wrap: Dudamel Closes His LA Run With A Spectacular…
‘The Post Office,’ Opera Tied To Gay Issues, Has Ring Of…
Maestro Subs In Mahler, And The Effect Conjures An Orchestra’s Bloodline
Pintscher Turns Debut Into Fanfare Event With Copland 3rd Symphony
Canada
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
World
Athens State Orchestra Plays Concert Honoring U.S. Semiquincentennial
Proto-AI In A Music Box: Mystic Schreker Opera Receives Vibrant Revival
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Digital
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Taking On Prokofiev With Pianistic Means, But Wit Waxes, Wanes
5 Winds Caress Legacy Of Nadia Boulanger And Her Musical Progeny
Trove Of Recordings Draws Back Curtain On Legacy Of Radu Lupu
Perspectives
A Storyteller Of Parts, He’s Everyman’s Entree To Trove Of Great…
After Long Directorship, Venerable Festival Likes Playing It Year By Year
Michael Tilson Thomas (MTT Or Just Michael), The Nonstop Adventurer
New On Classical Gas: Seeing Clara Schumann Through A Modern Lens
Carlisle Floyd At 100: Music World Celebrates American Opera Legend
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Matthew Aucoin
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Matthew Aucoin
Around the U.S.
NY’s Summer Festivals Offer Wide Appeal, And They’re Priced To Sell
Susan Brodie
-
July 15, 2025
Perspectives
A Cacophony Of Voices, Human And Planetary: Songs Of World As One
Katelyn Simone
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April 19, 2024
Around the U.S.
Myth Remade As Opera: Eurydice Rules The Tale, Leaves Orpheus For Dad
Keith Powers
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March 4, 2024
Around the U.S.
America’s Voices Ring Grand And Diverse In Premieres, Retrospect
David Shengold
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February 9, 2022
Around the U.S.
Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place
Susan Brodie
-
November 30, 2021
Around the U.S.
Eurydice Revisited: In A Dark Opera, Even Stones Sing
Rick Schultz
-
February 5, 2020
Around the U.S.
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
-
May 16, 2018
Around the U.S.
Aucoin’s ‘Crossing’ Captures Whitman In Civil Love, War
James L. Paulk
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October 6, 2017
Around the U.S.
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
-
November 9, 2016
Around the U.S.
‘Nosferatu’ Arises From Silence In Opera Fright Night
Richard S. Ginell
-
November 2, 2016
Around the U.S.
There’s Always Room For (More And More) Cellos
Richard S. Ginell
-
May 20, 2016
Around the U.S.
Paul Appleby Animates Fresh Aucoin Cycle
Susan Elliott
-
March 23, 2016
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Classical Voice North America