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Music Critics Create Annual Opera Award
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Classical Voice North America
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Around the U.S.
Chamber Fest Explores Dynamic Interactions Of Music, History’s Course
From Music’s Castoffs, Festival Puts Together Concert Of Discovery
Wine-And-Music Fest Raises Glass In Honor Of America’s Birthday
With Ghostly Clarity, Elusive Britten Opera Wafts Into Substance
On ‘Alpine’ Peak, Fiery New Bird Spreads His Wings With Chicago…
Canada
Monteverdi’s ‘Orfeo,’ Semi-staged And Lean, With A Modernist Touch
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
World
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises…
Very Today ‘Walküre,’ Penderecki Celebration Highlight Baltic Festival
Paris’ Musical Culture Showcases Its Splendor In A Time Of Transition
London Zeal For Music Tells As Crowds Cheer ‘Peter Grimes,’ Wagner
Rossini’s ‘Cenerentola,’ Centuries-Late Premiere Reward Paris Excursion
Digital
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
LOUD Percussion Piece Migrates To Recording; Lose Those Earplugs
In A Recording Profile, Music Of Many Faces Has Snapshot Moment
Beckett’s ‘Endgame’ Gets An Operatic Spin As Wry As The Original
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Perspectives
As He Signs Off In LA, Gustavo Dudamel Can Claim Imposing…
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
Silver Screen Concert Reflects Starring Roles For Women Composers
The Battle Of Boston: Critic’s Words Resound In ‘Defending The Music’
100 Years Ago, Electric Recording Injected New Spark In Music’s Legacy
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Matthew Aucoin
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Matthew Aucoin
Around the U.S.
NY’s Summer Festivals Offer Wide Appeal, And They’re Priced To Sell
Susan Brodie
-
July 15, 2025
Perspectives
A Cacophony Of Voices, Human And Planetary: Songs Of World As One
Katelyn Simone
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April 19, 2024
Around the U.S.
Myth Remade As Opera: Eurydice Rules The Tale, Leaves Orpheus For Dad
Keith Powers
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March 4, 2024
Around the U.S.
America’s Voices Ring Grand And Diverse In Premieres, Retrospect
David Shengold
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February 9, 2022
Around the U.S.
Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place
Susan Brodie
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November 30, 2021
Around the U.S.
Eurydice Revisited: In A Dark Opera, Even Stones Sing
Rick Schultz
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February 5, 2020
Around the U.S.
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
Around the U.S.
Aucoin’s ‘Crossing’ Captures Whitman In Civil Love, War
James L. Paulk
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October 6, 2017
Around the U.S.
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
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November 9, 2016
Around the U.S.
‘Nosferatu’ Arises From Silence In Opera Fright Night
Richard S. Ginell
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November 2, 2016
Around the U.S.
There’s Always Room For (More And More) Cellos
Richard S. Ginell
-
May 20, 2016
Around the U.S.
Paul Appleby Animates Fresh Aucoin Cycle
Susan Elliott
-
March 23, 2016
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Classical Voice North America