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Classical Voice North America
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Around the U.S.
Fauré Requiem Meets Musical Incarnations Of The Seven Deadly Sins
A Flourish Of Operas Embraced In Intimacy, Committed To Tradition
Oratorio Of The Oceans Blows Spray Of Imagery Evoking Climate Change
Irish Baroque Orchestra, Countertenor Bring Heat To Early Classical Fare
Brave Company Tames Beastly Film/Stage Tale Of Cocteau/Glass ‘Belle’
Canada
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
World
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Frankfurt Opera Trek: Baroque To ‘Carmen’ To A Holocaust Flashback
When Hahn Bows Out, Kyrgyzstan Violinist Polishes Up Prokofiev
Digital
5 Winds Caress Legacy Of Nadia Boulanger And Her Musical Progeny
Trove Of Recordings Draws Back Curtain On Legacy Of Radu Lupu
Never Mind Smetana’s Comedic ‘Bride’; Catch Laughs Of ‘Two Widows’
Lim’s ‘Goldbergs’ On CD: Letting Romanticism In To Sing Bach’s Rhetoric
Joy Amid A Mélange: Music Of Hilda Paredes Sparks A Refreshing CD
Perspectives
New On Classical Gas: Seeing Clara Schumann Through A Modern Lens
Carlisle Floyd At 100: Music World Celebrates American Opera Legend
Performance Can Take Music Down Pathways Blazed By Circumstance
Joan Tower, 87, Joins Gail Wein’s Podcast For Remarkable Look Back
2,700 Insights: CVNA’s Expert Reviews Deliver World Of Music To You
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Louise Alder
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Louise Alder
International
Staging ‘Messiah’ For Our Time Is Mixed Blessing
Rebecca Schmid
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December 18, 2018
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