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Classical Voice North America
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Mysterious Dutchman Meets Dramatic Match In 11th-Hour Senta Sub
Pan-Am Music Fosters Breaking Down Walls: ‘Sponsored By Mexico’
Stravinsky’s Wild ‘Rite,’ Long Absent, Returns With Some Spring In It
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‘Omar,’ Operatic Portrait Of An Enslaved Scholar, Proves Staying Power
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‘Walküre,’ shrunk to fit compact opera house, still an exhilarating ride
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Joplin’s ‘Treemonisha’ Revived In Canada With A Freshening Makeover
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Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
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As The Emerson Exits, Several Fine Quartets Are Poised To Ascend
Heggie’s Opera Bounty And Diversity Mirrored In Swell Of Productions
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Thomas Schippers Bio Explores Art, Glamour Of A Meteoric Maestro
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Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Karole Armitage
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Schoenberg Moves To Tinseltown In Clever New Opera
Keith Powers
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November 21, 2018
Classical Voice North America
