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Classical Voice North America
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Around the U.S.
Exploring New Music, Tanglewood Ensembles Serve Up Bountiful Mix
Suddenly This Summer: Tennessee Williams On Opera Bill With Strauss
Modernist Staging Taps Brilliance, Wit, Fun Of Offbeat Rossini Opera
Set In Nature’s Realm, Fueled By Imagination, Music Festival Thrives
Italian Opera’s Historic First Flowering In NY, Recaptured With Flair
Canada
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
World
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises…
Very Today ‘Walküre,’ Penderecki Celebration Highlight Baltic Festival
Paris’ Musical Culture Showcases Its Splendor In A Time Of Transition
London Zeal For Music Tells As Crowds Cheer ‘Peter Grimes,’ Wagner
Rossini’s ‘Cenerentola,’ Centuries-Late Premiere Reward Paris Excursion
Digital
In A Recording Profile, Music Of Many Faces Has Snapshot Moment
Beckett’s ‘Endgame’ Gets An Operatic Spin As Wry As The Original
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Perspectives
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
Silver Screen Concert Reflects Starring Roles For Women Composers
The Battle Of Boston: Critic’s Words Resound In ‘Defending The Music’
100 Years Ago, Electric Recording Injected New Spark In Music’s Legacy
Composers Coach Talks Art Of Nurturing Youth On New ‘Classical Gas’
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Farnace
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Farnace
International
With A Reworked Third Act, ‘Farnace’ Soars Down Under
James L. Paulk
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February 4, 2020
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