DIGITAL REVIEW – As part of Black History month, the Chicago Symphony Orchestra through its CSOtv network offers a significant tribute to Black composers in chamber music played with compelling virtuosity by members of the CSO.
DIGITAL REVIEW – Three new streamings point up the possibilities and pitfalls in play as high-minded opera creators and administrators are seized with the need to be relevant amid current times but risk losing the essence of their art.
DIGITAL REVIEW – As the final installment of Jennifer Koh’s Bach & Beyond project for solo violin was released in November, the series became a metaphor for sheltering in place. The crowning CD ties Bach to two more modernists.
COMMENTARY – This time, John Cage’s famous 4’33” really was about silence as Kirill Petrenko and the Berlin Philharmonic found a special way to say farewell to live audiences under Europe's Covid-constrained lockdown.
BOOK REVIEW – In his exhaustive and fascinating book Wagnerism: Art and Politics in the Shadow of Music, Alex Ross probes the enduring cultural impact of the composer's art as well as his controversial social views.
COMMENTARY - What better time than the COVID-19 shutdown to look at the phenomenon of silence in music? If the idea seems like a contradiction, composers have historically invoked the sound of silence in creative ways.
BOOK REVIEW – Filled with more than 200 essays, Hough's Rough Ideas abounds in aphoristic commentary, like a concert of virtuosic bonbons. Topics range from stage fright and trials of touring to the aging of classical audiences.
BREAKING NEWS – Blue, an opera rife with generational and racial conflict by composer Jeanine Tesori and librettist Tazewell Thompson, takes the Award for Best New Opera of 2019 from the Music Critics Association of North America.
COPING WITH CRISIS – The coronavirus pandemic has forced music schools across the nation to move instruction online. They’re making the best of a bad situation, and taking a few innovative strides forward at the same time.
BOOK REVIEW – The North Carolina Symphony, based in Raleigh but roaming statewide, was known as the "Suitcase Symphony" for its touring ways. The nation's first state-supported symphony is finally getting its colorful story told.
BOOK REVIEW – Christopher Nupen's book is frequently insightful and illuminating, but it is more about Nupen the man and his life than about the breakthrough technology that made music films feasible and artistically meaningful.
CHICAGO – In the aftermath of a bruising labor dispute, Chicago Symphony Orchestra music director Riccardo Muti sounded themes of tradition, continuity, and community. The first program featured Joyce DiDonato in Berlioz.
MINNEAPOLIS – A gifted writer, Mary Ann turned out erudite and witty program notes for the Minnesota Orchestra for 33 years. She died Feb. 18 at age 85, perhaps the Twin Cities' most prolific advocate for classical music.
CHICAGO – The recently debuted Grossman Ensemble, a contemporary sinfonietta set up with funding for 15 years, includes thirteen award-winning instrumentalists committed to work with a dozen composers each season.
NEW YORK - For On Site Opera’s version at Church of the Holy Apostles, host to Manhattan's largest soup kitchen, audience members were asked to donate food in lieu of cash. Tickets released online went in 20 minutes.
BOOK REVIEW – This brilliantly researched novel by Pulitzer Prize-winning author Richard Kluger will have scholars rechecking what they thought they knew about Beethoven, and mystery lovers delighting in the deft plotting.
INTERVIEW – American conductor James Conlon will lead 39 performances of the Italian composer’s works in 2018-19, reaching his 500th Verdi performance overall. He's not yet saying where that landmark performance will be.
TOKYO – At the recent institute on Music From Japan, I was asked to sum up musical trends in North America today. A brief survey of the last eight Pulitzer winners reveals a rich landscape: chaotic, diverse, experimental, many-faceted.
CHICAGO – When Louis "Studs" Terkel left WFMT in 1997 after 45 years on the air, he took more than 5,600 of his reel-to-reel tape chats with the A-list of culture at large. That treasury of incredible stories is getting new digital life.
NEW YORK - How times have changed for 81-year-old Philip Glass. An outsider spurned by the establishment in the early 1970s, the composer’s vast output and its impact were on display all season long at the epicenter of American music.