Ormandy Philly Legend: Outsized Image Forged From Undersized Gifts
PERSPECTIVE – Eugene Ormandy's record 44-year tenure with the Philadelphia Orchestra (1936-1980) stretched over sleepy seasons marred by his faulty conducting technique. Some musicians say he wouldn't have a major career today.
1921 Tulsa Massacre Memorialized In Music By 4 Black Composers
NEW YORK – The concert titled Pity These Ashes: Tulsa 1921-2021 featured works by Adolphus Hailstork, Jessie Montgomery, Trevor Weston, and Alice Coltrane, whose Prema, transcribed from piano to harp, drew on the jazz tradition.
Negro Opera Birthplace Rescued By A Visionary With Preservation Goal
PERSPECTIVE – Jonnet Solomon, a tax accountant and director of the Steel City Arts Initiative, has worked for decades to save the long-vacant home where Mary Cardwell Dawson established the National Negro Opera Company in 1941.
But Was He Happy? This Biography Of Mozart Makes A Case For Yes
BOOK REVIEW – At its best when evoking Mozart's day-to-day life in an age of crude carriages, lousy air, and barbarous doctors, Jan Swafford's study asserts that "composers do not get much more successful than Mozart in his own time."
Tenor Parlays His Craft In Dual Aid To Students, Emerging Professionals
PERSPECTIVE – Michael Fabiano and fellow tenor John Viscardi run a non-profit program of their own creation called ArtSmart, which pays gifted young freelance singers to mentor pre-teen and teen students and give them voice lessons.
Sleuths Pursue Chopin As Genius And Enigma Across Pages Of Time
BOOK REVIEW – Three recent books about the composer-pianist offer rich insights into his life as man and musician. All three offer much to ponder, and time and again had this reader reaching for a score or a recording to follow up.
Composer Schwantner, Marching To His Own Drum, Chimes, Crotales
PERSPECTIVE – Even with some 60 works and a Pulitzer Prize to his credit, Joseph Schwantner's far-ranging sound palette and distinctive voice remain something of a hidden treasure, unfamiliar to much of the concertgoing public.
Risen To New Visibility, Black Composers Now Face Test Of Longevity
COMMENTARY – Black composers have been emerging over the past year at a dramatically accelerated pace that’s particularly rare amid the normally glacial progression of the classical music world. The next challenge is staying power.
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
DIGITAL REVIEW – Now available for streaming is a well-produced series of concerts by the Berlin Philharmonic titled The Golden Twenties. Works by composers from Weill and Strauss to Sibelius bespeak an era of exceptional creativity.
Radio Host Is Bridging Gap Between Blacks, Classical Music World
PERSPECTIVE – Terrance McKnight has always lived his life "between the two worlds" of being Black and being part of the classical music culture. He wants to bring everyone’s culture to the table, "not putting one above the other."
Alone With Stravinsky: In His Closing Silence, Echo Of ‘Sacre’ Raged
PERSPECTIVE – Stravinsky died 50 years ago on April 6, 1971. And so I found myself there, a music student all alone with his casket at the funeral home, the sounds of his music racing through my brain: Firebird, Petrouchka, Sacre du printemps.
Opera Artists, Critics Peer Into The Future: Watch Now Via Zoom
COMMENTARY – What lies ahead for opera now? Gathering via Zoom, composer Ellen Reid, librettists Tazewell Thompson and Royce Vavrek, producer Kristin Martin and critics Heidi Waleson and Alex Ross discuss the transformative impact of this challenging year.
Chamber Music Series Casts Revelatory Light On Black Composers
DIGITAL REVIEW – As part of Black History month, the Chicago Symphony Orchestra through its CSOtv network offers a significant tribute to Black composers in chamber music played with compelling virtuosity by members of the CSO.
Seeking Humanity Amid Operas That Wax Humanitarian
DIGITAL REVIEW – Three new streamings point up the possibilities and pitfalls in play as high-minded opera creators and administrators are seized with the need to be relevant amid current times but risk losing the essence of their art.
Koh Caps Her Bach Project With Links To Berio, Harbison
DIGITAL REVIEW – As the final installment of Jennifer Koh’s Bach & Beyond project for solo violin was released in November, the series became a metaphor for sheltering in place. The crowning CD ties Bach to two more modernists.
Found Eloquence: 4’33” Of A Thing In Overabundance
COMMENTARY – This time, John Cage’s famous 4’33” really was about silence as Kirill Petrenko and the Berlin Philharmonic found a special way to say farewell to live audiences under Europe's Covid-constrained lockdown.
Exploring Wagner, Loathsome Genius Of Endless Allure
BOOK REVIEW – In his exhaustive and fascinating book Wagnerism: Art and Politics in the Shadow of Music, Alex Ross probes the enduring cultural impact of the composer's art as well as his controversial social views.
Pre-Virus, Music Often Reveled In Sound Of Silence
COMMENTARY - What better time than the COVID-19 shutdown to look at the phenomenon of silence in music? If the idea seems like a contradiction, composers have historically invoked the sound of silence in creative ways.
Stephen Hough’s New Book Mirrors A Pianist Of Parts
BOOK REVIEW – Filled with more than 200 essays, Hough's Rough Ideas abounds in aphoristic commentary, like a concert of virtuosic bonbons. Topics range from stage fright and trials of touring to the aging of classical audiences.
Black Man In Blue As Family Tragedy Wins Opera Honor
BREAKING NEWS – Blue, an opera rife with generational and racial conflict by composer Jeanine Tesori and librettist Tazewell Thompson, takes the Award for Best New Opera of 2019 from the Music Critics Association of North America.
