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Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
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35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Rebecca Schmid
Rebecca Schmid
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Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Women Flourish With Baton At Lucerne Festival
Rebecca Schmid
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August 31, 2016
Destined For Met, Eerie ‘Angel’ Bows At Salzburg Fest
Rebecca Schmid
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August 11, 2016
Bloody Whispers, Ripped From The Headlines Of 1590
Rebecca Schmid
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July 14, 2016
‘Incantesimi’ Plays With Spells, But Magic Is Missing
Rebecca Schmid
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June 13, 2016
Leoncavallo’s ‘Zazà’ Revealed As Tragic Gem In Recording
Rebecca Schmid
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June 7, 2016
Dreamy ‘Juliette’ Weaves A Spell In Berlin Debut
Rebecca Schmid
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June 1, 2016
Fresh From 1709, Steffani’s ‘Amor’ Bows As If Anew
Rebecca Schmid
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April 28, 2016
‘Tristan und Isolde’ As Stark Love In Repressive Times
Rebecca Schmid
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March 28, 2016
‘Orfeo ed Euridice’: Music Transcends A Deathly Concept
Rebecca Schmid
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March 21, 2016
After Too Many Lifetimes, A Life Hollowed Out
Rebecca Schmid
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February 24, 2016
‘Eugene Onegin’ By The Book, But As Pastoral Romance
Rebecca Schmid
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February 2, 2016
Ruzicka’s Portrait Of A Philosopher More Of A Selfie
Rebecca Schmid
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January 28, 2016
Debussy’s Light Shines In ‘Pelléas’ By Sellars, Berlin
Rebecca Schmid
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December 18, 2015
‘AIM’ Premieres, Flanked By Icons Of Avante-Garde
Rebecca Schmid
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November 13, 2015
Ruptures, Restarts At German Festival Where New Reigns
Rebecca Schmid
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October 22, 2015
‘Vasco Da Gama’ (Or ‘L’Africaine’) Under Full Sail In Berlin
Rebecca Schmid
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October 8, 2015
Barenboim Hails Schoenberg At Musikfest Berlin
Rebecca Schmid
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September 10, 2015
Lucerne Festival Embraces Beloved And Newest Fare
Rebecca Schmid
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August 31, 2015
Spirit Of Protest Spun From Blues And Avant-garde
Rebecca Schmid
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August 18, 2015
Dancers Sing And Singers Dance In Sasha Waltz ‘Orfeo’
Rebecca Schmid
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July 7, 2015
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