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With A Searing ‘Salome,’ Opera Company Shows It’s Back In The Dance
2 Off-The-Wall Operas, One Starring A Cello, One A Singing Dummy
‘The Shining’ As Opera Is Mad, Brutal, Tragic In A Horrifically…
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But…
Starry ‘Indigo Heaven’ Concerto Is Principal Clarinet’s Sparkle Time
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
World
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Digital
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
In An Exotic Travelogue, Wafting Down Silk Road With Oslo Wind…
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Rebecca Schmid
Rebecca Schmid
98 POSTS
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Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Rattle, Berlin Phil Explore Drama In Symphonic Music
Rebecca Schmid
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February 16, 2017
Visual Magic Hits, Misses In Ravel, Stravinsky Bill
Rebecca Schmid
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February 2, 2017
Rihm’s ‘Tutuguri’ Leaves Percussive Tattoo On Festival
Rebecca Schmid
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September 6, 2016
Women Flourish With Baton At Lucerne Festival
Rebecca Schmid
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August 31, 2016
Destined For Met, Eerie ‘Angel’ Bows At Salzburg Fest
Rebecca Schmid
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August 11, 2016
Bloody Whispers, Ripped From The Headlines Of 1590
Rebecca Schmid
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July 14, 2016
‘Incantesimi’ Plays With Spells, But Magic Is Missing
Rebecca Schmid
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June 13, 2016
Leoncavallo’s ‘Zazà’ Revealed As Tragic Gem In Recording
Rebecca Schmid
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June 7, 2016
Dreamy ‘Juliette’ Weaves A Spell In Berlin Debut
Rebecca Schmid
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June 1, 2016
Fresh From 1709, Steffani’s ‘Amor’ Bows As If Anew
Rebecca Schmid
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April 28, 2016
‘Tristan und Isolde’ As Stark Love In Repressive Times
Rebecca Schmid
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March 28, 2016
‘Orfeo ed Euridice’: Music Transcends A Deathly Concept
Rebecca Schmid
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March 21, 2016
After Too Many Lifetimes, A Life Hollowed Out
Rebecca Schmid
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February 24, 2016
‘Eugene Onegin’ By The Book, But As Pastoral Romance
Rebecca Schmid
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February 2, 2016
Ruzicka’s Portrait Of A Philosopher More Of A Selfie
Rebecca Schmid
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January 28, 2016
Debussy’s Light Shines In ‘Pelléas’ By Sellars, Berlin
Rebecca Schmid
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December 18, 2015
‘AIM’ Premieres, Flanked By Icons Of Avante-Garde
Rebecca Schmid
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November 13, 2015
Ruptures, Restarts At German Festival Where New Reigns
Rebecca Schmid
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October 22, 2015
‘Vasco Da Gama’ (Or ‘L’Africaine’) Under Full Sail In Berlin
Rebecca Schmid
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October 8, 2015
Barenboim Hails Schoenberg At Musikfest Berlin
Rebecca Schmid
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September 10, 2015
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