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‘The Shining’ As Opera Is Mad, Brutal, Tragic In A Horrifically…
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But…
Starry ‘Indigo Heaven’ Concerto Is Principal Clarinet’s Sparkle Time
Music Fest Summons Its Summer Warmth In The Intimacy Of Winter
A Powerful ‘Moby-Dick’ Seizes The Met Stage (Don’t Call Him Ishmael)
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Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
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‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
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As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
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In Timely Revelations, Recordings Celebrate The March Of Women
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The Boy Mozart’s Riot Of Royalty, Vocal Bling: ‘Mitridate’ Video Glitters
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
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American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Rebecca Schmid
Rebecca Schmid
98 POSTS
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Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
‘Falstaff’ Updated, With Sir John As Berlin Gang Boss
Rebecca Schmid
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March 29, 2018
Neglected Opera By Korngold Turns Out To Be A Gem
Rebecca Schmid
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March 21, 2018
Beauty Of Cilea’s ‘L’Arlesiana’ Shines In Concert Revival
Rebecca Schmid
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March 9, 2018
Schreker Revival Takes Original To Still Darker Place
Rebecca Schmid
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January 25, 2018
Staging Captures ‘L’Enfance du Christ’ As Living Nativity
Rebecca Schmid
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December 20, 2017
Vibrant ‘Prophète’ Goes The Five-Act Distance (Almost)
Rebecca Schmid
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November 29, 2017
Rattle, Berlin Aim To Tempt Appetite For Musical ‘Tapas’
Rebecca Schmid
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November 6, 2017
‘Wozzeck,’ Chamber Scaled, Still Packs Its Violent Punch
Rebecca Schmid
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October 21, 2017
Swirling Episodes Of Sound Probing New Sonics? ‘Yes’!
Rebecca Schmid
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September 14, 2017
Connections Made, Or Missed, Across Many Cultures
Rebecca Schmid
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September 2, 2017
For Opera-Bound, Competition Final Is All-Around Win
Rebecca Schmid
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July 31, 2017
Weill Fest Explores Music’s Advocate For Social Progress
Rebecca Schmid
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July 6, 2017
‘Trip To The Moon:’ Gift To Amateurs, Laced With Maxim
Rebecca Schmid
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June 20, 2017
Lunar ‘Parsifal:’ Toto, We’re Not In Bayreuth Anymore
Rebecca Schmid
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June 8, 2017
Rattle Nears Exit In Berlin, Remains Champion Of New
Rebecca Schmid
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June 5, 2017
Granted, Medea Is A Murderer, But Her Kids Are Dolls
Rebecca Schmid
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May 26, 2017
Old Music In New Venue: Paris Puts Hall In The Seine
Rebecca Schmid
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April 28, 2017
Comic ‘Sorochintsy’: Pigs On Stilts In Ukrainian Village
Rebecca Schmid
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April 5, 2017
‘Death In Venice’: Cast Is Ripe, But Staging Is Green
Rebecca Schmid
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March 24, 2017
Scartazzini Opera Fails To Shock In Berlin Premiere
Rebecca Schmid
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February 26, 2017
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