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Classical Voice North America
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Around the U.S.
Greek Opera Orchestra Carnegie Debut Sounds Nary A Note Of Opera
Notes From Past, Afar: British Singers Traverse Renaissance Polyphony
Supercharged Mahler 5 Kicks Off Nézet-Séguin Cycle At Carnegie Hall
Complexity And Calm Unlikely Soul Mates In High-Density Premiere
Benchmark Berlin Phil Unfurls Regal Sound In Carnegie Hall Concerts
Canada
Flamenco Singer Brings Accent Of Authenticity To Falla’s ‘Amor Brujo’
Star Beings And Quiet: Nézet-Séguin, His Band Rise Into A New…
Monteverdi’s ‘Orfeo,’ Semi-staged And Lean, With A Modernist Touch
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
World
Offbeat Opera Fest: Noted Composers, Rare Works Catnip For Buffs
Apocalypse, No: Just Two Tokyo Orchestras, One Fearsome Oratorio
Josephine Baker, Once Darling Of Paris Stage, Conjured In New Light
Virtuosity And Brevity Meet At Spirited Heart Of Clever Concert Fare
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises…
Digital
Back To The Present: Recording Taps Old Roots Of New Music
One Complicated Life As Experimental Opera, Music By 10 Composers
Martinů’s Symphonies: Reveling In Variegated Garden Of Late Bloomer
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
LOUD Percussion Piece Migrates To Recording; Lose Those Earplugs
Perspectives
In ‘Classical Gas’ Chat, Missy Mazzoli Reflects On New Lincoln Opera
Marian Anderson: Voice Of A Century Who Also Bore Discord Of…
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
As He Signs Off In LA, Gustavo Dudamel Can Claim Imposing…
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
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Around the U.S.
Fraught With Concepts, Met’s New ‘Tristan’ Is Still One For The Ages
Susan Brodie
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March 11, 2026
Around the U.S.
In A ‘Così Fan Tutte’ Refitted For Our Time, Mozart Encounters AI
Jennifer Goltz-Taylor
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April 6, 2025
Around the U.S.
In Mashup, Monteverdi Collides With Modern Opera On A Turntable
Richard S. Ginell
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June 18, 2024
Around the U.S.
Opera’s Racial Tragedy Transcends Obstacles Of An Open-Air Staging
Susan Brodie
-
September 16, 2021
Around the U.S.
‘Sweet Land,’ A Searing Revision Of U.S. History, Wins Opera Of The Year
Richard S. Ginell
-
August 26, 2021
Around the U.S.
Drive-Thru ‘Twilight’ Whittles Wagner’s Epic To Garagiste Opera
Lawrence B. Johnson
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April 28, 2021
Around the U.S.
Opera As History Upended, Guttural And In Your Face
Rick Schultz
-
March 4, 2020
Around the U.S.
Last Seen In ’92, Monk Opera ‘Atlas’ Is Back In Big Way
Richard S. Ginell
-
June 14, 2019
International
‘Flute’ Is Redrawn In Cartoon Images (Strings Attached)
Rebecca Schmid
-
February 23, 2019
Around the U.S.
Opera (Un)Caged In Fluxus Fest’s Anarchic Opening
Rick Schultz
-
November 10, 2018
International
American Director, Polish Lohengrin Bow At Bayreuth
David Shengold
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August 6, 2018
Around the U.S.
Mahler As Video: High-Tech Gilding Of ‘Das Lied’s’ Lily
Richard S. Ginell
-
April 9, 2018
Around the U.S.
Spaced-Out Opera Lifts Off With Martian Help
Rick Schultz
-
November 13, 2017
Disc and Stream
LA Street Opera: Scenes Assembled In Cars, At Stops
Richard S. Ginell
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June 28, 2017
Around the U.S.
Cunningly Novel Production Of Janáček’s ‘Vixen’
Daniel Hathaway
-
May 19, 2014
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