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Classical Voice North America
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Around the U.S.
Early Menotti Comedy Accents Stage Offering At Diverse Spoleto Fest
After 20 Magic Years, James Conlon To Exit LA Opera With…
Worlds And Time Apart, Works Of Two Cultures Create Concert Bridge
That’s A Wrap: Dudamel Closes His LA Run With A Spectacular…
‘The Post Office,’ Opera Tied To Gay Issues, Has Ring Of…
Canada
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
World
Rossini’s ‘Viaggio,’ Buoyed By Slapstick, Burdened By Baggage
Athens State Orchestra Plays Concert Honoring U.S. Semiquincentennial
Proto-AI In A Music Box: Mystic Schreker Opera Receives Vibrant Revival
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Digital
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Taking On Prokofiev With Pianistic Means, But Wit Waxes, Wanes
5 Winds Caress Legacy Of Nadia Boulanger And Her Musical Progeny
Perspectives
Chicago-Based Critic Hannah Edgar Named Winner Of Littler Prize
Sea To Shining Sea: New Music To Brighten America’s Celebrations
A Storyteller Of Parts, He’s Everyman’s Entree To Trove Of Great…
After Long Directorship, Venerable Festival Likes Playing It Year By Year
Post-Minimalist Threads Reveal Wide Range Of Influence On New Music
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International
G.I. Jack (The Ripper): Opera Sketches A Killer Who Wasn’t A Happy Kid
Rebecca Schmid
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June 18, 2025
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