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Classical Voice North America
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Around the U.S.
LA And Dudamel Revisit A Latin Ballet Spectacle, This Time With…
3 Monodramas Explore Multifaceted Characters Cast In Orchestral Light
On Final Tour, Assads Flash Virtuosity, Probe Their Brazilian Roots
Pain, Peril Of Gay Love In McCarthy Era Vividly Etched On…
A Half-Size Orchestra Takes Off-Angles On Quasi-Iconic Classics
Canada
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
World
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Frankfurt Opera Trek: Baroque To ‘Carmen’ To A Holocaust Flashback
When Hahn Bows Out, Kyrgyzstan Violinist Polishes Up Prokofiev
Digital
Joy Amid A Mélange: Music Of Hilda Paredes Sparks A Refreshing CD
New Recording Displays Sensual Component In David Lang’s Choral Art
A New Coleridge-Taylor Discovered, Composer Worthy Of Her Father
Revitalizing Light Falls On Neglected Works Of Romantic Master Hiller
Adès Opera, Recycled As Symphony, Headlines A Terse Minnesota CD
Perspectives
Performance Can Take Music Down Pathways Blazed By Circumstance
Joan Tower, 87, Joins Gail Wein’s Podcast For Remarkable Look Back
2,700 Insights: CVNA’s Expert Reviews Deliver World Of Music To You
Opera As Battleground: Author Sees Lyric Stage In Never-Ending Struggle
As Season Winds Down, Spirit Of The New Buoys South American…
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Tim Mead
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Tim Mead
Around the U.S.
From Mechanicals To Leaping Puck, A Dream ‘Dream’
Matthew Westphal
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February 12, 2019
International
Staging ‘Messiah’ For Our Time Is Mixed Blessing
Rebecca Schmid
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December 18, 2018
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