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‘Omar,’ Operatic Portrait Of An Enslaved Scholar, Proves Staying Power

Richard S. Ginell -

‘(R)evolution’ Revisited: Steve Jobs Opera Gets A Compelling Renewal

Thomas May -

Strauss’ Imposing ‘Frau’ Steps Out Of Shadows Into Spectacle Of Lights

Jason Victor Serinus -

Our Critic’s Soliloquy On A Shakespearean Opera By John Adams: ‘Meh’

Richard S. Ginell -

To Celebrate SF Opera’s Centenary, John Adams Turned To Shakespeare

John Fleming -

‘Red Chamber,’ An Epic Chinese Novel, Proves Classic Stuff Of Opera

Ken Smith -

Mozart’s Rake Prowls Crumbling Society In Futuristic ‘Don Giovanni’

Rick Perdian -

‘Red Chamber,’ Chinese Epic Of Life’s Illusion, Scatters Its Petals Anew

Michael Anthony -

Its Budget And Season Reduced, SF Opera Is Ready To Sing...

Janos Gereben -

SF Opera Outdoors: Rossini Gets Big Stage As ‘Barber’ Gets...

Janos Gereben -

SF Opera’s ‘Figaro’ Is Early American: Susanna With Fife

Janos Gereben -

The Devil Is At It Once Again In Heggie’s Latest

Janos Gereben -

Strauss’ ‘Arabella’: Hidden Trove Of Seductive Beauty

Ilana Walder-Biesanz -

Radvanovsky Soars As Troubled Queen In Superb ‘Devereux’

Janos Gereben -

Revived Staging, Revivified Concept Sharpen S.F. ‘Ring’

Richard S. Ginell -

Mining For Gold: New Adams Opera Finds Darker Veins

Richard S. Ginell -

S.F. Opera ‘Elektra’ Shocks, Provokes, And Overwhelms

Janos Gereben -

Zambello’s ‘Aida’ Offers Rare Look Into Opera’s Heart

Janos Gereben -

Touching ‘Dream’ Receives Radiant Debut Production

Jason Victor Serinus -

Epic Chinese Novel Retooled As Opera By Sheng, Hwang

Janos Gereben -
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