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Classical Voice North America
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Around the U.S.
Weill-Lerner ‘Love Life’ Dusted Off, Buffed Up, Made Fascinating Again
Orchestra Is Way Over The Moon With Its New Conductor At…
Shattering Convention, Two Engaging Singers Redefine Voice Recital
Amid Blast And Balm, String Troupe Maps Out A Walk On…
With A Searing ‘Salome,’ Opera Company Shows It’s Back In The Dance
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
World
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Digital
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
In An Exotic Travelogue, Wafting Down Silk Road With Oslo Wind…
Perspectives
Son Of Native American ‘Shell-Shaking Culture’ Talks Roots On Podcast
Schiff On His Boycott: ‘If I Were A U.S. Citizen, I…
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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San Francisco Opera
Tag: San Francisco Opera
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
James L. Paulk
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October 21, 2024
Reliving The Nightmare Of ‘Handmaid’s Tale’ As Bleak, Harrowing Opera
Richard S. Ginell
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September 18, 2024
Art, Life, Mayhem, Art: Opera About Massacre Blurs Lines Of Imitation
Richard S. Ginell
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June 5, 2024
‘Omar,’ Operatic Portrait Of An Enslaved Scholar, Proves Staying Power
Richard S. Ginell
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November 10, 2023
‘(R)evolution’ Revisited: Steve Jobs Opera Gets A Compelling Renewal
Thomas May
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October 4, 2023
Strauss’ Imposing ‘Frau’ Steps Out Of Shadows Into Spectacle Of Lights
Jason Victor Serinus
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June 7, 2023
Our Critic’s Soliloquy On A Shakespearean Opera By John Adams: ‘Meh’
Richard S. Ginell
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September 16, 2022
To Celebrate SF Opera’s Centenary, John Adams Turned To Shakespeare
John Fleming
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September 7, 2022
‘Red Chamber,’ An Epic Chinese Novel, Proves Classic Stuff Of Opera
Ken Smith
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June 29, 2022
Mozart’s Rake Prowls Crumbling Society In Futuristic ‘Don Giovanni’
Rick Perdian
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June 27, 2022
‘Red Chamber,’ Chinese Epic Of Life’s Illusion, Scatters Its Petals Anew
Michael Anthony
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June 20, 2022
Its Budget And Season Reduced, SF Opera Is Ready To Sing...
Janos Gereben
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July 8, 2021
SF Opera Outdoors: Rossini Gets Big Stage As ‘Barber’ Gets...
Janos Gereben
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May 4, 2021
SF Opera’s ‘Figaro’ Is Early American: Susanna With Fife
Janos Gereben
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October 16, 2019
The Devil Is At It Once Again In Heggie’s Latest
Janos Gereben
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August 8, 2019
Strauss’ ‘Arabella’: Hidden Trove Of Seductive Beauty
Ilana Walder-Biesanz
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October 21, 2018
Radvanovsky Soars As Troubled Queen In Superb ‘Devereux’
Janos Gereben
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September 12, 2018
Revived Staging, Revivified Concept Sharpen S.F. ‘Ring’
Richard S. Ginell
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June 21, 2018
Mining For Gold: New Adams Opera Finds Darker Veins
Richard S. Ginell
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November 24, 2017
S.F. Opera ‘Elektra’ Shocks, Provokes, And Overwhelms
Janos Gereben
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September 12, 2017
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