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Classical Voice North America
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The Saga Of Anne Frank, Sharply Framed Within Gripping Opera For…
In A ‘Così Fan Tutte’ Refitted For Our Time, Mozart Encounters…
Festival’s Wide Scope Offers Classical Music Writ On Intimate Scale
Weill-Lerner ‘Love Life’ Dusted Off, Buffed Up, Made Fascinating Again
Orchestra Is Way Over The Moon With Its New Conductor At…
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Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
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‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
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After A Long Absence, Tchaikovsky’s ‘Iolanta’ Makes Colorful Return
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
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Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
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Son Of Native American ‘Shell-Shaking Culture’ Talks Roots On Podcast
Schiff On His Boycott: ‘If I Were A U.S. Citizen, I…
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
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Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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In Bond’s ‘Clara’, An Artist Is Seen Becoming Herself
Susan Brodie
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April 20, 2019
Classical Voice North America
