Facebook
Instagram
Twitter
About
Join
Contact
Donate
Around the U.S.
Canada
World
Digital
Perspectives
Our Critics’ Picks
Search
About
Join
Contact
Donate
Music Critics Create Annual Opera Award
Sign in
Welcome! Log into your account
your username
your password
Forgot your password? Get help
Password recovery
Recover your password
your email
A password will be e-mailed to you.
Classical Voice North America
About
Join
Contact
Donate
Around the U.S.
Día De Los Muertos: Supercharged Concert Rings With Festive Life
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Perspectives
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
Home
Tags
Matthew Aucoin
Tag: Matthew Aucoin
A Cacophony Of Voices, Human And Planetary: Songs Of World As...
Katelyn Simone
-
April 19, 2024
Myth Remade As Opera: Eurydice Rules The Tale, Leaves Orpheus For...
Keith Powers
-
March 4, 2024
America’s Voices Ring Grand And Diverse In Premieres, Retrospect
David Shengold
-
February 9, 2022
Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place
Susan Brodie
-
November 30, 2021
Eurydice Revisited: In A Dark Opera, Even Stones Sing
Rick Schultz
-
February 5, 2020
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
-
May 16, 2018
Aucoin’s ‘Crossing’ Captures Whitman In Civil Love, War
James L. Paulk
-
October 6, 2017
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
-
November 9, 2016
‘Nosferatu’ Arises From Silence In Opera Fright Night
Richard S. Ginell
-
November 2, 2016
There’s Always Room For (More And More) Cellos
Richard S. Ginell
-
May 20, 2016
Paul Appleby Animates Fresh Aucoin Cycle
Susan Elliott
-
March 23, 2016
Classical Voice North America
