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Classical Voice North America
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Around the U.S.
The Met’s ‘Frau’ Unfurls Bounty To Be Savored Again — And…
Royal Concertgebouw, Mäkelä Parade Colors To Kick Off U.S. Tour
Noon To Midnight Bash: Mix Of Musical Genres With A Beer…
Letters Sung Of Love Found, Lost By Juliets And All Their…
One Singer’s Memorable Turn As Another Whose Memory Is Fading Away
Canada
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
World
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Digital
Bryce Dessner’s ‘Solos’ Recording Is A Paradox: It’s About Connections
Ambitious Album Casts Light On The Composer Inside Conductor MTT
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Perspectives
Amid The Tour Baggage, Clear Signs Of A Bond Between Maestro,…
Smoking Performances At U.K. Opera Houses Now Under Political Fire
Embracing, Unvarnished Jolie-As-Callas Biopic Hits A High B-Plus
Grand Dame Von Stade Makes New Recording, And Declares It Her…
A Singer Sees The Light In Dark World Of Music Suppressed…
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Matthew Aucoin
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Matthew Aucoin
Issues in the Arts
A Cacophony Of Voices, Human And Planetary: Songs Of World As One
Katelyn Simone
-
April 19, 2024
Around the U.S.
Myth Remade As Opera: Eurydice Rules The Tale, Leaves Orpheus For Dad
Keith Powers
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March 4, 2024
Around the U.S.
America’s Voices Ring Grand And Diverse In Premieres, Retrospect
David Shengold
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February 9, 2022
Around the U.S.
Eclectic And Inventive ‘Eurydice’ Whisks Met To, Well, A New Place
Susan Brodie
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November 30, 2021
Around the U.S.
Eurydice Revisited: In A Dark Opera, Even Stones Sing
Rick Schultz
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February 5, 2020
Around the U.S.
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
Around the U.S.
Aucoin’s ‘Crossing’ Captures Whitman In Civil Love, War
James L. Paulk
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October 6, 2017
Around the U.S.
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
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November 9, 2016
Around the U.S.
‘Nosferatu’ Arises From Silence In Opera Fright Night
Richard S. Ginell
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November 2, 2016
Around the U.S.
There’s Always Room For (More And More) Cellos
Richard S. Ginell
-
May 20, 2016
Around the U.S.
Paul Appleby Animates Fresh Aucoin Cycle
Susan Elliott
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March 23, 2016
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