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Classical Voice North America
About
Join
Contact
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Around the U.S.
Vienna Phil, Thielemann Invoke Mighty Bruckner With Rewarding Eighth
New Opera As Sapling: Glimpse At Machover’s Lyric Portrait Of Trees
Mehta, Now Grand Old Maestro, Flips Switch In A Vibrant Mahler Third
Pursuing The Intensity Of ‘Thousand Suns’ In Opera World Premiere
3 Women Conductors Eclipse Gender Issues In NY Phil Concerts
Canada
‘Fragments’ For Cello: Random Bach, New Bits All Add Up To…
A Hundred Musicians, One Glorious Sound: Chicago’s Grand Band
With Canadian Premiere Of ‘Jobs,’ Opera House Buffs Modernist Profile
Multi-talented Hannigan Cedes Baton In Display Of Otherworldly Singing
Amid Old Friends Again, Emerson Quartet Offers Farewell To Remember
World
Updated To Instagram, Handel’s ‘Belshazzar’ With Its Tension Intact
Embracing The Theater At The Heart Of Cilea’s ‘Adriana Lecouvreur’
Ligeti’s Creative Journey And Influence Retraced In Centennial Concert
Sunning At The Beach As Earth Turns Plastic: Lyric Of An Anti-Opera
The Lure Of Barcelona’s Architecture Leads To Musical Treasure Trove
Digital
The Play Was The Thing For Henry Purcell, Other Restoration Composers
In Music Of Our Time, Venerable Harpsichord Speaks In New Accents
17th-Century Blossoms Strewn By The Handful: Music For Triple Harp
Gods Behaving Badly, But Stylishly, Ignite CD Of French Opera Rarity
3 Swedish Composers Rule Virtual Stage On CD Of Piano Concertos
Perspectives
Kirchner Letters Paint Composer As Fierce, Inspiring Intellectual
Regional Orchestras 2: Blazing New Pathways In Washington, Oregon
Regional Orchestras 1: After Covid, A Renewed Commitment To Music
Tamino From The Past Recalls A Magical Trek Across Stages Of…
Missing ‘Part Of Life,’ Andsnes Returns To U.S. Concert Touring
Our Critics’ Picks
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
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Handel
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Handel
Around the U.S.
A ‘Messiah’ As Theater, Where Historical Style Meets Modern Staging
David Shengold
-
December 17, 2021
International
Staging ‘Messiah’ For Our Time Is Mixed Blessing
Rebecca Schmid
-
December 18, 2018
Around Canada
Handel’s Depths Diminished By Urge To Entertain
David Gordon Duke
-
April 23, 2018
Around the U.S.
Handel’s ‘Esther,’ Pivotal Oratorio, Scores As Drama
Kyle MacMillan
-
March 3, 2018
International
Handel’s ‘Jephtha’ Comes To Life In Dramatic Staging
James L. Paulk
-
January 19, 2018
International
‘Flower Of Hawaii,’ In Revival, Shows Bloom Is Off Lei
Matthew Gurewitsch
-
October 4, 2017
Around the U.S.
Postmodern ‘Alcina’ In Baroque Style – And Gender Melee
Rodney Punt
-
August 5, 2017
Disc and Stream
Live And On CDs, Flock of ‘Messiahs’ To Feed The Fans
David Shengold
-
December 22, 2016
Around Canada
Joyce DiDonato Devises Inventive Recital Variation
David Gordon Duke
-
December 3, 2016
Disc and Stream
Guns & Coloratura Fuel Caesar & Cleo In Salzburg Remix
Paul Robinson
-
July 1, 2016
Around the U.S.
Handel Talk Show ‘Judas Maccabaeus’ As Lyrical Feast
Kyle MacMillan
-
December 3, 2015
Around the U.S.
Barton Lets Vocal Fireworks Fly In Baroque Showcase
William Albright
-
September 17, 2015
Around the U.S.
Baroque Band Aims To Secure Place In Chicago
Kyle MacMillan
-
June 1, 2015
Around the U.S.
High-Tech Videos Light Fire Under Seattle’s ‘Semele’
Philippa Kiraly
-
February 27, 2015
Around Canada
Twentysomething Handel Sparkles In ‘Triumph Of Time’
David Gordon Duke
-
August 11, 2014
International
Handel’s ‘Theodora’ Generously Served By Bicket Forces
John W. Lambert
-
January 31, 2014
Around the U.S.
‘Messiah,’ On Grand Scale, Unfolds As Worthy Spectacle
John W. Lambert
-
December 21, 2013
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Classical Voice North America