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Classical Voice North America
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Join
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Around the U.S.
Finding Musical Grace In Depths Of Slavery’s Middle-Passage Horror
Helsinki Phil’s Concert At Carnegie Points Up Art Of Susanna Mälkki
Early Italian Cembalo Inspires Modern Copy And American Debut
A ‘Rheingold’ Premiere, Creative And Gleaming, Hints At Possible ‘Ring’
New ‘Giovanni’ At Met: Grim And Grinding, And Dramatically Top-Notch
Canada
Beatrice Rana Fuses Ferocity And Beauty In ‘Hammerklavier’ Sonata
A Throwback Concert Recalls Triumvirate Of 2nd Viennese School
‘Fragments’ For Cello: Random Bach, New Bits All Add Up To…
A Hundred Musicians, One Glorious Sound: Chicago’s Grand Band
With Canadian Premiere Of ‘Jobs,’ Opera House Buffs Modernist Profile
World
In Handy Church Ruin, Verdi’s ‘Macbeth’ Finds Its All-Purpose Setting
On Tour Down Under, British String Quartet Meets The Didgeridoo
Honoring Callas At 100, Greek Opera Restages Her Signature ‘Medea’
Monteverdi’s Wandering ‘Ulisse’ Returns Home To An Updated Scene
‘Le Nozze’ Annulled: Mozart’s Perfect Opera Gets A Rough Makeover
Digital
Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
In Music Of Our Time, Venerable Harpsichord Speaks In New Accents
17th-Century Blossoms Strewn By The Handful: Music For Triple Harp
Gods Behaving Badly, But Stylishly, Ignite CD Of French Opera Rarity
Perspectives
Taiwan Philharmonic’s U.S. Tour Underscored By Promise Of Passion
Kirchner Letters Paint Composer As Fierce, Inspiring Intellectual
Regional Orchestras 2: Blazing New Pathways In Washington, Oregon
Regional Orchestras 1: After Covid, A Renewed Commitment To Music
Tamino From The Past Recalls A Magical Trek Across Stages Of…
Our Critics’ Picks
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
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Fabio Sartori
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Fabio Sartori
International
In Berlin, ‘Hélène’ Not So Belle And ‘Tosca’ Is Teutonic
Rebecca Schmid
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October 17, 2014
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