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Classical Voice North America
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Mysterious Dutchman Meets Dramatic Match In 11th-Hour Senta Sub
Pan-Am Music Fosters Breaking Down Walls: ‘Sponsored By Mexico’
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Canada
‘Walküre,’ shrunk to fit compact opera house, still an exhilarating ride
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Joplin’s ‘Treemonisha’ Revived In Canada With A Freshening Makeover
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‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful
Ridiculous Virtuosity: Modern-Music Troupe Crackles And Dazzles
(Re)imagine That! Beloved Musicals Given New Gloss For New Age
Adams’ ‘Short Ride,’ Like Rest Of Sizzling Concert Fare, Gets Short…
Festival Operas Pegged To Yesteryear; Concerts Come Up To Yesterday
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You’re Doin’ Completely Fine, Oklahoma! (On CD That’s Not So Complete)
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Slow Food For Thought: Late Beethoven Quartet Mulled At A Snail’s…
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Perspectives
As The Emerson Exits, Several Fine Quartets Are Poised To Ascend
Heggie’s Opera Bounty And Diversity Mirrored In Swell Of Productions
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Portrait Of A Composer Still Living Tradition Of Elgar, Vaughan Williams
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Tennstedt Bio Reveals Great Maestro At Odds With World and…
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Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Clara Schumann
Tag: Clara Schumann
In Bond’s ‘Clara’, An Artist Is Seen Becoming Herself
Susan Brodie
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April 20, 2019
Classical Voice North America
