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Classical Voice North America
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Around the U.S.
3 Monodramas Explore Multifaceted Characters Cast In Orchestral Light
On Final Tour, Assads Flash Virtuosity, Probe Their Brazilian Roots
Pain, Peril Of Gay Love In McCarthy Era Vividly Etched On…
A Half-Size Orchestra Takes Off-Angles On Quasi-Iconic Classics
With An Eye To Future, LA Ensemble Shows It’s Thriving In…
Canada
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
World
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Frankfurt Opera Trek: Baroque To ‘Carmen’ To A Holocaust Flashback
When Hahn Bows Out, Kyrgyzstan Violinist Polishes Up Prokofiev
Chamber Music Offers Welcome Respite From Hong Kong Hurly-Burly
Digital
New Recording Displays Sensual Component In David Lang’s Choral Art
A New Coleridge-Taylor Discovered, Composer Worthy Of Her Father
Revitalizing Light Falls On Neglected Works Of Romantic Master Hiller
Adès Opera, Recycled As Symphony, Headlines A Terse Minnesota CD
Choral Recording Series Spotlights 13 Women Composers Of Canada
Perspectives
Performance Can Take Music Down Pathways Blazed By Circumstance
Joan Tower, 87, Joins Gail Wein’s Podcast For Remarkable Look Back
2,700 Insights: CVNA’s Expert Reviews Deliver World Of Music To You
Opera As Battleground: Author Sees Lyric Stage In Never-Ending Struggle
As Season Winds Down, Spirit Of The New Buoys South American…
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Berlin Staatsoper
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Berlin Staatsoper
International
Capping Berlin’s Opera Season, Two Excursions Into The New And Bold
James L. Paulk
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July 14, 2025
International
‘Falstaff’ Updated, With Sir John As Berlin Gang Boss
Rebecca Schmid
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March 29, 2018
International
Bloody Whispers, Ripped From The Headlines Of 1590
Rebecca Schmid
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July 14, 2016
International
Fresh From 1709, Steffani’s ‘Amor’ Bows As If Anew
Rebecca Schmid
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April 28, 2016
International
‘Orfeo ed Euridice’: Music Transcends A Deathly Concept
Rebecca Schmid
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March 21, 2016
International
Dancers Sing And Singers Dance In Sasha Waltz ‘Orfeo’
Rebecca Schmid
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July 7, 2015
International
In Berlin, ‘Hélène’ Not So Belle And ‘Tosca’ Is Teutonic
Rebecca Schmid
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October 17, 2014
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