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Classical Voice North America
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Around the U.S.
Met’s All-New ‘Flute’ Spins Mozart Forward To Freshening Present
Honoring George Floyd, Musical Remembrance Transcends His Death
Finding Musical Grace In Depths Of Slavery’s Middle-Passage Horror
Helsinki Phil’s Concert At Carnegie Points Up Art Of Susanna Mälkki
Early Italian Cembalo Inspires Modern Copy And American Debut
Canada
Beatrice Rana Fuses Ferocity And Beauty In ‘Hammerklavier’ Sonata
A Throwback Concert Recalls Triumvirate Of 2nd Viennese School
‘Fragments’ For Cello: Random Bach, New Bits All Add Up To…
A Hundred Musicians, One Glorious Sound: Chicago’s Grand Band
With Canadian Premiere Of ‘Jobs,’ Opera House Buffs Modernist Profile
World
A Reconfigured ‘Aida,’ As Critique Of War In Male-Controlled World
Comical ‘Merry Wives’ Is The Fantastic Affair Otto Nicolai Imagined
In Handy Church Ruin, Verdi’s ‘Macbeth’ Finds Its All-Purpose Setting
On Tour Down Under, British String Quartet Meets The Didgeridoo
Honoring Callas At 100, Greek Opera Restages Her Signature ‘Medea’
Digital
Slow Food For Thought: Late Beethoven Quartet Mulled At A Snail’s…
Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
In Music Of Our Time, Venerable Harpsichord Speaks In New Accents
17th-Century Blossoms Strewn By The Handful: Music For Triple Harp
Perspectives
Taiwan Philharmonic’s U.S. Tour Underscored By Promise Of Passion
Kirchner Letters Paint Composer As Fierce, Inspiring Intellectual
Regional Orchestras 2: Blazing New Pathways In Washington, Oregon
Regional Orchestras 1: After Covid, A Renewed Commitment To Music
Tamino From The Past Recalls A Magical Trek Across Stages Of…
Our Critics’ Picks
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
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Allan Clayton
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Allan Clayton
International
Staging ‘Messiah’ For Our Time Is Mixed Blessing
Rebecca Schmid
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December 18, 2018
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