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Classical Voice North America
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Around the U.S.
Mahler ‘Resurrection’ Gets Personal Spin By Singer Turned Maestro
Long ‘Twilight’ Journey Into Wagner As Atlanta Tops Off ‘Ring’ Operas
Such Sweet Sorrow: Parting Party Rolls On For Dudamel, LA Phil
A Percussion Virtuoso Turns Sprinter, Chasing Instruments In Concerto
Early Menotti Comedy Accents Stage Offering At Diverse Spoleto Fest
Canada
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
World
‘Parsifal’ Semi-Staged, Sort Of Costumed, But Musically The Holy Grail
Sofia ‘Ring’ Answers Multifaceted Challenge With Intimate Fantasy
Rossini’s ‘Viaggio,’ Buoyed By Slapstick, Burdened By Baggage
Athens State Orchestra Plays Concert Honoring U.S. Semiquincentennial
Proto-AI In A Music Box: Mystic Schreker Opera Receives Vibrant Revival
Digital
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Taking On Prokofiev With Pianistic Means, But Wit Waxes, Wanes
5 Winds Caress Legacy Of Nadia Boulanger And Her Musical Progeny
Perspectives
100 Years Ago, Electric Recording Injected New Spark In Music’s Legacy
Composers Coach Talks Art Of Nurturing Youth On New ‘Classical Gas’
Sarah Kirkland Snider’s ‘Hildegard’ Wins Critics’ Nod As Best New Opera
Chicago-Based Critic Hannah Edgar Named Winner Of Littler Prize
Sea To Shining Sea: New Music To Brighten America’s Celebrations
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A Note in Time
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A Note in Time
Perspectives
A Pianist Transcribes Her Polytonal Life As Mesmerizing Memoir
Arthur Kaptainis
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April 5, 2022
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