International

Taiwan Orchestra Parades Its Mettle In Tour Of Japan

KANAZAWA, Japan – Concerts in this national favorite holiday destination, and in Tokyo and Osaka, amply demonstrated the Taiwan Philharmonic's impressive artistic ascent under music director Shao-Chia Lü.

Luc Bondy’s ‘Tosca’ Still Tawdry After All These Years

MUNICH – Panned and booed at its Met premiere, and often revived, this staging has gained nothing from longevity. A decade on, as seen at the Bayerische Staatsoper, Anja Harteros and her co-stars failed to save the show.

Vienna Phil Opens Bruckner Tour At Berlin Cathedral

BERLIN - The first stop on a trek leading to the bicentenary of Bruckner’s birth in 2024 found Christian Thielemann leading the Second Symphony and Christian Mason’s Eternity in an Hour, premiered in Vienna in April.

Glanert’s ‘Oceane’: A Water Nymph Out Of Her Depth

BERLIN – Deutsche Oper has given Detlev Glanert’s 12th opera an elegant staging. Although the score and Hans-Ulrich Treichel’s libretto are expertly crafted, the two-act work emerges as more cerebral than emotionally shattering.

In Bond’s ‘Clara’, An Artist Is Seen Becoming Herself

BADEN-BADEN – Victoria Bond's new chamber opera emphasizes Clara Schumann's inner life as she balances the demands of others against her rising awareness of her own needs. The Osterfestspiele gave the world premiere.

Old French Delight Is Polished Anew By Opéra Comique

PARIS – The famed company has scored a 21st-century hit with a former company staple not seen in Paris for 125 years: Adolphe Adam’s Le Postillon de Lonjumeau. American tenor Michael Spyres' solid high D secured the stylish enterprise.

Separate Stages, Two Results For Myths As Opera

BERLIN – Operas based on ancient myth might seem a difficult sell today, but March saw a new version of Jörg Widmann’s Babylon at the Staatsoper Unter den Linden in Berlin and Manfred Trojahn’s Orest at the Wiener Staatsoper.

‘Endgame’ As Opera: Wait Finally Ends For Kurtág Work

AMSTERDAM – The musical adaptation of Beckett's play, begun by György Kurtág in 1990 and repeatedly deferred, got an airing at the Dutch National Opera. A more ideal marriage of text and music could hardly be imagined.

‘Flute’ Is Redrawn In Cartoon Images (Strings Attached)

BERLIN – Papageno and other characters are puppets, Pamina and Tamino cavort in red moon boots, Monostatos is a robot, and the Queen of the Night flies in Yuval Sharon’s comic-book staging of Mozart’s Die Zauberflöte.

Ultraschall Fest Gives Posthumous Hirsch Premiere

BERLIN - In tribute to the late Michael Hirsch, Simone Young led his never-performed 2011 …irgendwie ein Art Erzählung… (“almost a kind of story”), an episodic chain of thought that opens with an accordion's ethereal cluster chord.

‘Violet Snow’ Shivers With The Chill Of Earth’s Last Throes

BERLIN – To the sound of melting glissandi and teeming microtonal strings, survivors walk toward a black sun. In Beat Furrer and Klaus Händl's apocalyptic new opera, it's lights out for Earth, and humans drift and stammer.

Staging ‘Messiah’ For Our Time Is Mixed Blessing

BERLIN - A concert version for the Deutsches Symphonie-Orchester Berlin by director Frederic Wake-Walker emerged as an ambitious but cumbersome attempt to infuse the religious work with contemporary relevance.

Happy Marriage: Italian Style With French Accents

BERLIN – In a concert exploring Italian-influenced French music dating from the reign of Louis XV, the ensemble Les Talens Lyriques expressed the virtues of authentic-minded musicianship and a historical approach.

Modern Rendering Of Rameau Opera Fizzles In Berlin

BERLIN - The first production of Rameau’s first opera, Hippolyte et Aricie, at the Staatsoper Unter den Linden, conducted by Simon Rattle and directed by choreographer Aletta Collins, was more ambitious than revealing.

Tireless Trotters, Mariinsky Shines In Stravinsky Bill

NORTHRIDGE, Calif. – Sometimes the results are galvanic. Other times, they can be numbingly routine: On this occasion, Valery Gergiev and the ever-touring Mariinsky Orchestra delivered the goods in two Stravinsky symphonies.

Semyon Bychkov Leads Czech Phil Into A New Era

PRAGUE – Only the fourth non-native chief conductor of the Czech Philharmonic, Semyon Bychkov wants the orchestra to be known for more than Dvořák and Smetana. A 13-city U.S. tour begins on Oct. 27.

Handel’s ‘Solomon’ At Royal Opera Is One For The Ages

LONDON – The Royal Opera House's concert version of the 1749 oratorio featured a superb cast, the orchestra of the Early Opera Company led by founder Christian Curnyn, and a dazzling showing from the Royal Opera Chorus.

Worst Mom Goes Mad, In French, At The Staatsoper

BERLIN – In her role debut, soprano Sonya Yoncheva launched herself fearlessly into the drama of Cherubini’s Médée. Andrea Breth’s new production for the Staatsoper follows a wave of stagings in the original language.

Dun Links Ancient, Modern Worlds In New Violin Work

OSLO – Violinist Eldbjørg Hemsing, who has long championed music of Tan Dun, premiered Fire Ritual, which draws from techniques of erhu and guqin, at the Ultima Contemporary Music Festival, the composer conducting.

Boston Camerata’s ‘Liberty Tree’: Early Americana In Paris

PARIS – The Camerata, an early music group, performed a program of American patriotic and religious tunes from the 18th and 19th centuries during the themed weekend it shared with the Boston Symphony Orchestra at the Philharmonie.
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