Facebook
Instagram
Twitter
About
Join
Contact
Donate
Around the U.S.
Canada
World
Digital
Perspectives
Our Critics’ Picks
Search
About
Join
Contact
Donate
Music Critics Create Annual Opera Award
Sign in
Welcome! Log into your account
your username
your password
Forgot your password? Get help
Password recovery
Recover your password
your email
A password will be e-mailed to you.
Classical Voice North America
About
Join
Contact
Donate
Around the U.S.
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
Home
Authors
Posts by Rebecca Schmid
Rebecca Schmid
95 POSTS
0 COMMENTS
Rebecca Schmid, Ph.D., is a music writer based in Vienna. Her book Weill, Blitzstein and Bernstein: A Study of Influence was recently released by University of Rochester Press/Boydell & Brewer.
Festival Reveals Piano Gems From A Siberian Prison
Rebecca Schmid
-
June 26, 2015
Eötvös, Bartók: Brothers In Opera, Without The Blood
Rebecca Schmid
-
May 5, 2015
‘Moses Und Aron’ Takes Rocky Path At Komische Oper
Rebecca Schmid
-
April 27, 2015
‘Lucia di Hyannis Port’? Bel Canto Madness Updated
Rebecca Schmid
-
February 4, 2015
Beyond The Galop, Dancing Horses Sashay To Mozart
Rebecca Schmid
-
January 26, 2015
In Berlin, ‘Hélène’ Not So Belle And ‘Tosca’ Is Teutonic
Rebecca Schmid
-
October 17, 2014
Pianist Or Artistic Chief, Buchbinder Is Purist At Heart
Rebecca Schmid
-
October 14, 2014
Da Vinci’s Design For Gamba-Organ Voiced At Festival
Rebecca Schmid
-
September 19, 2014
Rossini Festival Revives ‘Aureliano’ In Vocal Splendor
Rebecca Schmid
-
August 26, 2014
Schubert Rarity ‘Fierrabras’ Is Star Of Salzburg Fest
Rebecca Schmid
-
August 20, 2014
Strauss’ ‘Feuersnot’ Rings Authentic In Al Fresco Staging
Rebecca Schmid
-
June 12, 2014
The Deutsche Oper’s new ‘Lohengrin’ gets Wings but does not take...
Rebecca Schmid
-
April 16, 2012
Man against the Machine, thoughts about Zambello’s Ring
Rebecca Schmid
-
June 22, 2011
Global Politics and Video in Wagner’s Ring
Rebecca Schmid
-
June 16, 2011
Vorspiel
Rebecca Schmid
-
June 15, 2011
1
...
3
4
5
Page 5 of 5
Classical Voice North America