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Classical Voice North America
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Around the U.S.
Irish Baroque Orchestra, Countertenor Bring Heat To Early Classical Fare
Brave Company Tames Beastly Film/Stage Tale Of Cocteau/Glass ‘Belle’
New Music’s In NY Air; Philharmonic Taps That Theme With Variations
An Operetta Confection Revived Amid Splendor Of Song (And Laughter)
‘Midsummer’ Marriage: Orchestra, Actors Meet In A Shakespeare Romp
Canada
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
World
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Frankfurt Opera Trek: Baroque To ‘Carmen’ To A Holocaust Flashback
When Hahn Bows Out, Kyrgyzstan Violinist Polishes Up Prokofiev
Digital
Never Mind Smetana’s Comedic ‘Bride’; Catch Laughs Of ‘Two Widows’
Lim’s ‘Goldbergs’ On CD: Letting Romanticism In To Sing Bach’s Rhetoric
Joy Amid A Mélange: Music Of Hilda Paredes Sparks A Refreshing CD
New Recording Displays Sensual Component In David Lang’s Choral Art
A New Coleridge-Taylor Discovered, Composer Worthy Of Her Father
Perspectives
Carlisle Floyd At 100: Music World Celebrates American Opera Legend
Performance Can Take Music Down Pathways Blazed By Circumstance
Joan Tower, 87, Joins Gail Wein’s Podcast For Remarkable Look Back
2,700 Insights: CVNA’s Expert Reviews Deliver World Of Music To You
Opera As Battleground: Author Sees Lyric Stage In Never-Ending Struggle
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Theresa Immerz
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Theresa Immerz
International
In Bond’s ‘Clara’, An Artist Is Seen Becoming Herself
Susan Brodie
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April 20, 2019
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