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Classical Voice North America
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Around the U.S.
Mysterious Dutchman Meets Dramatic Match In 11th-Hour Senta Sub
Pan-Am Music Fosters Breaking Down Walls: ‘Sponsored By Mexico’
Stravinsky’s Wild ‘Rite,’ Long Absent, Returns With Some Spring In It
Vocalist, String Quartet Give Schubert A Shuffle And Turn Up All…
‘Omar,’ Operatic Portrait Of An Enslaved Scholar, Proves Staying Power
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‘Walküre,’ shrunk to fit compact opera house, still an exhilarating ride
Presto! (Or Andante): Between Competitions, A Festival Works Magic
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Mega Flourish Of Horns Lifts ‘Alpine Symphony’ At Canadian Music Fest
Joplin’s ‘Treemonisha’ Revived In Canada With A Freshening Makeover
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‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful
Ridiculous Virtuosity: Modern-Music Troupe Crackles And Dazzles
(Re)imagine That! Beloved Musicals Given New Gloss For New Age
Adams’ ‘Short Ride,’ Like Rest Of Sizzling Concert Fare, Gets Short…
Festival Operas Pegged To Yesteryear; Concerts Come Up To Yesterday
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You’re Doin’ Completely Fine, Oklahoma! (On CD That’s Not So Complete)
Pianist Spans Centuries On CD Featuring Music By Female Composers
Slow Food For Thought: Late Beethoven Quartet Mulled At A Snail’s…
Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
Perspectives
As The Emerson Exits, Several Fine Quartets Are Poised To Ascend
Heggie’s Opera Bounty And Diversity Mirrored In Swell Of Productions
Tapping Into Music As Unconscious Chronicle Of Post-Holocaust Era
Thomas Schippers Bio Explores Art, Glamour Of A Meteoric Maestro
Portrait Of A Composer Still Living Tradition Of Elgar, Vaughan Williams
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Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Tekla Cunningham
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Seattle Will Hear Bach Passions In Early, New Styles
Philippa Kiraly
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February 20, 2014
Classical Voice North America
