Facebook
Instagram
Twitter
About
Join
Contact
Donate
Around the U.S.
Canada
World
Digital
Perspectives
Our Critics’ Picks
Search
About
Join
Contact
Donate
Music Critics Create Annual Opera Award
Sign in
Welcome! Log into your account
your username
your password
Forgot your password? Get help
Password recovery
Recover your password
your email
A password will be e-mailed to you.
Classical Voice North America
About
Join
Contact
Donate
Around the U.S.
Royal Concertgebouw, Mäkelä Parade Colors To Kick Off U.S. Tour
Noon To Midnight Bash: Mix Of Musical Genres With A Beer…
Letters Sung Of Love Found, Lost By Juliets And All Their…
One Singer’s Memorable Turn As Another Whose Memory Is Fading Away
Majesty, Poetry Signal Davidsen’s Arrival As Claimant To La Tosca
Canada
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
World
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Digital
Bryce Dessner’s ‘Solos’ Recording Is A Paradox: It’s About Connections
Ambitious Album Casts Light On The Composer Inside Conductor MTT
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Perspectives
Embracing, Unvarnished Jolie-As-Callas Biopic Hits A High B-Plus
Grand Dame Von Stade Makes New Recording, And Declares It Her…
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
Home
Tags
Sarasota Opera
Tag: Sarasota Opera
Verdi’s ‘Nabucco:’ Blood, Thunder And Grand Singing
Arthur Kaptainis
-
March 5, 2019
Rarely Seen Opera By D’Albert Stands Tall In Florida
Arthur Kaptainis
-
March 15, 2018
Sarasota’s Verdi: Every Opera, And Complete Pleasure
John Fleming
-
March 31, 2016
Sarasota Opera’s Verdi Cycle Ends With A Flourish
James Bash
-
March 24, 2016
‘Legnano’ And ‘Aida’ Grandly Complete Verdi In Sarasota
Susan Brodie
-
March 22, 2016
French ‘Don Carlos’ Another Coup For Grand Verdi Cycle
Arthur Kaptainis
-
March 11, 2015
‘CVNA’ Rounds Up Critics’ Coverage Of Sarasota Verdi Fest
admin
-
March 19, 2014
Verdi Champions Chorus Case For His Early Operas
Lawrence B. Johnson
-
March 19, 2014
Sarasota ‘Jérusalem’ Puts Sharp Accent On Revised Verdi
Arthur Kaptainis
-
March 12, 2014
Sarasota Venue’s Sound Can’t Keep Musicians Down
William Littler
-
March 10, 2014
As Sarasota Opera Eyes Verdi Prize, ‘Trovatore’ Suffers
George Loomis
-
March 10, 2014
‘Flying Dutchman’ Weathers Rough Seas In Sarasota
Roy C. Dicks
-
March 9, 2014
Sarasota’s Verdi Crusade Advances With ‘Jérusalem’
John Fleming
-
March 6, 2014
Classical Voice North America