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Classical Voice North America
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Around the U.S.
Chinese Epic Character Brings Its Charm, Antics, Attitude To Opera Stage
Puerto Rican Orchestra, Legacy Of Casals, Plays A Joyful Boston Debut
Crawl Extravaganza: Shaw Quartets Flow In Concerts Across Venues
Hildegard von Bingen, Medieval Radical Now Become Opera Heroine
Beethoven 9th, Freshly Framed, Its Message Charged With Urgency
Canada
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
Conductor On The Fly Pauses To Give Mahler Breath, Scope Of…
Countertenor, A Funky Band, And Arcane Rep. Impression: Meh-Plus
Elegant Quartet Affirms Grosse Fuge As Fixture (See Cellphone For Info)
World
‘Cosi’ As Reality Show, Rare Donizetti Updated (With A Pregnant Pause)
Strauss Junior At 200: Soul Of A City, Emblem Of Era…
Across Pair Of Concerts And 4,800 Miles, Japan Links Up With…
Wild ‘Mandarin,’ Intense ‘Bluebeard’ Conjoined As Lurid Bartók Twin Bill
Nilsson Prize Cites Aix For Artistic Excellence And Opera Development
Digital
Two Albums Celebrate Iconoclastic Erik Satie With Stylish Adaptations
Surveying Scaled-Down Art Of British Composer Known For His Grandeur
Early-Music Recordings Capture Antiquity And Its Modern Reflections
Songs Without Words: Reimagining Poulenc For Violin And Piano
With A Swell Of Voices, Recording Embellishes Florence Price Legacy
Perspectives
Conjuring Varèse In 100 Flute Commissions, On ‘Classical Gas’ Podcast
As S. Korea’s Birth Rate Drops, Classical Music Needs A Creative…
Nights In Opera Gardens Of Spain: Delights From Zarzuela To ‘Wozzeck’
Coming-Of-Age Memoir Chronicles Life Abloom Amid Musical Legends
Quartet Founder Talks Beethoven, Bob Dylan On New ‘Classical Gas’
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Samantha Ege
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Samantha Ege
Disc and Stream
Recording Sheds Light On Piano Concertos By Women History Forgot
Xenia Hanusiak
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April 11, 2025
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Sugarplum Silly: Musicians Muse On Diet Of Yuletide ‘Nutcrackers’
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